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Kathleen McCartney is the Dean of the Faculty of Education and the Gerald S. Lesser Professor in Early Childhood Development. She is a developmental psychologist whose research informs theoretical questions on early experience as well as policy questions on child care, early childhood education, and poverty. Since 1989, McCartney has served as a principal investigator on the National Institute of Child Heath and Human Development (NICHD) Study of Early Child Care & Youth Development, the findings from which were published by Guilford in 2005 book, *Child Care and Child Development*. McCartney is a co-editor of *The Handbook of Early Child Development*, published by Blackwell in 2006 as well as *Best Practices in Quantitative Methods for Developmentalists*, published by the Society for Research in Child Development in 2006. McCartney's work has been informed by her experience as the director of the University of New Hampshire Child Study & Development Center, a laboratory school for children from birth through kindergarten. Kathleen McCartney has been named a Fellow by the American Psychological Association, the American Psychological Society, and the American Educational Research Association.

John Stauffer writes and lectures on the Civil War era, antislavery, social protest movements, and visual culture. He is the author of seven books and more than 45 articles, including *The Black Hearts of Men: Radical Abolitionists and the Transformation of Race* (2002), which won four major awards, including the Frederick Douglass Book Prize, the Avery Craven Book Award, and the Lincoln Prize runner-up. His essays have appeared in *Time Magazine*, *Raritan*, *New York Post*, *21st: The Journal of Contemporary Photography*, and *The Harvard Review*; and he has appeared on national radio and television shows. His new book, *GIANTS: The Parallel Lives of Frederick Douglass and Abraham Lincoln*, was published in November 2008. Currently, John is completing a book with Sally Jenkins on radical interracialism and Unionism in Civil War era Mississippi. The story, *Free State of Jones*, will appear as a major motion picture by the filmmaker Gary Ross, with whom John served as a scholarly consultant. John received his Ph.D. from Yale University in 1999, began teaching at Harvard that year, and was tenured in 2004. He lives in Cambridge, Massachusetts, with his wife, Deborah Cunningham, and their two-year-old son, Erik Isaiah Stauffer.

Paul Fitzgerald and Elizabeth Gould, a husband and wife team, began working together in 1979 co-producing a documentary for Paul's television show, Watchworks. Called, The Arms Race and the Economy, A Delicate Balance, they found themselves in the midst of a swirling controversy that was to boil over a few months later with the Soviet invasion of Afghanistan. Their acquisition of the first visas to enter Afghanistan granted to an American TV crew in the spring of 1981, brought them into the middle of the most heated Cold War controversy since Vietnam. But the pictures and the people inside Soviet occupied Afghanistan told a very different story from the one being broadcast on the evening news. Following their exclusive news story for the CBS Evening News, they produced a documentary (Afghanistan Between Three Worlds) for PBS and in 1983 they returned to Kabul for ABC Nightline with Harvard Negotiation project director Roger Fisher. They were told that the Russians wanted to go home and negotiate their way out. Peace in Afghanistan was more than a possibility. It was a desired option. But the story that President Carter called, "the greatest threat to peace since the second World War" had already been written by America's policy makers and America's pundits were not about to change the script. As the first American journalists to get deeply inside the story they not only got a view of an unseen Afghan life, but a revelatory look at how the US defined itself against the rest of the world under the veil of superpower confrontation. Once the Soviets had crossed the border into Afghanistan, the fate of both nations was sealed. But as Paul and Liz pursued the reasons behind the wall of propaganda that shielded the truth, they found themselves drawn into a story that was growing into mythic dimensions. Big things were brewing in Afghanistan. Old empires were being undone and new ones, hatched. America had launched a Medieval Crusade against the modern world and the ten year war against the Soviet Union was only the first chapter. It was at the time of the first World Trade Center bombing in 1993 when Paul and Liz were working on the film version of their experience under contract to Oliver Stone, that they began to piece together the mythic implications of the story. During the research for the screenplay many of the documents preceding the Afghan crisis were declassified. Over the next decade they trailed a labyrinth of clues only to find a profound likeness in Washington's official policy towards Afghanistan - in the ancient Zoroastrian war of the light against the dark - whose origins began in the region now known as Afghanistan. It was a likeness that grows more visible as America's involvement deepens. Afghanistan's civil war followed America's Cold War while Washington walked away. A new strain of religious holy warrior called the Taliban arose but no one in America was listening. As the horrors of the Taliban regime began to grab headlines in 1998 Paul and Liz began collaborating with Afghan human rights expert Sima Wali. Along with Wali, they contributed to the Women for Afghan Women: Shattering Myths and Claiming the Future book project. In 2002 they filmed Wali's first return to Kabul since her exile in 1978. The film they produced about Wali's journey home, The Woman in Exile Returns, gave audiences the chance to discover the message of one of Afghanistan's most articulate voices and her hopes for her people. In the years since 9/11 much has happened to bring Paul and Liz's story into sharp focus. Their efforts at combining personal diplomacy with activist journalism is a model for restoring a healthy and vibrant dialogue to American democracy. Ultimately their book, Invisible History: Afghanistan's Untold Story lays bare why it was inevitable that the Soviet Union and the U.S. should end up in Afghanistan and what that means to the future of the American empire.