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Weekdays from 2 to 3 p.m.

GBH Executive Arts Editor Jared Bowen and a rotating panel of cultural correspondents and co-hosts provide an expansive look at society through art, culture and entertainment, driving conversations about how listeners experience culture across music, movies, fashion, TV, art, books, theater, dance, food and more. To share your opinion, email thecultureshow@wgbh.org or call/text 617-300-3838.

The show also airs on CAI, the Cape, Coast and Islands NPR station.

Come see The Culture Show LIVE at the GBH BPL Studio every Wednesday and Friday at 2pm, and streaming on GBH News YouTube channel.

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Listen to previous shows

  • Playwright Joshua Harmon joins us to talk about his new play, “We Had a World.” The work turns inward, following a playwright asked by his grandmother to write about their family — a request that opens up a fraught history of love, resentment, humor, and truth-telling across three generations. “We Had a World” is onstage at the Huntington Theatre Company from February 12 through March 15.Ball in the House is a Boston-based a cappella group working across R&B, soul, and pop. They’ve opened shows for artists including the Jonas Brothers, Fantasia, and Lionel Richie, and join us ahead of upcoming performances in Foxborough and Shirley. All five members stop by the studio to talk about touring, vocal music, and what’s next.A year ago, Philip Kennicott warned that President Trump’s takeover of the Kennedy Center threatened the independence of one of America’s most important cultural institutions. Now that warning is playing out: this week the administration announced plans to close the Kennedy Center for two years as part of what Trump calls a “complete rebuild,” following months of leadership upheaval, cancellations, and declining ticket sales. Kennicott joins The Culture Show to discuss how unprecedented this level of presidential control is — and what it could mean for the future of federal support for the arts. Philip Kennicott is a Pulitzer Prize-winning art and architecture critic for The Washington Post.
  • What do MBTA service alerts sound like as show tunes? “T: An MBTA Musical” turns the daily frustrations of riding Boston’s transit system — delays, shuttle buses, and all — into a two-act musical that’s equal parts satire and love letter to riders. Composer and lyricist Mel Carubia and Cassandra West , Executive Producer of Infinite Rotary Productions join us to talk about the show’s return, now onstage at the Boston Center for the Arts and The Rockwell.After ten years leading the Isabella Stewart Gardner Museum, Peggy Fogelman reflects on a decade of continuity and change at one of Boston’s most distinctive institutions. She joins us to talk about expanding contemporary exhibitions and performance, steering the museum through the pandemic, and what it means to lead a place so shaped by history, memory, and public expectation. To learn about all of the museum’s programming go here.A new production of William Shakespeare’s "A Midsummer Night's Dream" at the BrickBox Theater in Worcester is set in a 1980s nightclub called The Wood, awash in leather, glitter, and neon. Livy Scanlon, artistic director of The Hanover Theatre and Alan Seiffert, the new president and CEO of The Hanover Theatre and Conservatory for the Performing Arts join us for an overview. To learn more, go here.
  • On this edition of The Culture Show, Jared Bowen, Lisa Simmons, and Edgar B. Herwick III go over the week’s top arts and culture headlines.First up, Catherine O’Hara, the Emmy and Golden Globe winning actress who starred in films including Home Alone, Beetlejuice and numerous collaborations with Christopher Guest, has passed at age 71.Then, protest music and cultural backlash. Bruce Springsteen released a new protest track taking aim at immigration raids, while the Dropkick Murphys reworked their 2005 song “Citizen CIA” into “Citizen ICE” for their upcoming album “New England Forever”. Neil Young also made a geopolitical gesture, offering free access to his music in Greenland amid rising political tensions.The reaction to the killing of Alex Pretti has rippled across culture and sports. At Sundance, filmmakers and actors spoke out against ICE, and the NBA postponed a Minnesota Timberwolves game as players grappled with the moment—underscoring how quickly politics and culture are colliding.Also in the headlines: the documentary “Melania” has struggled to find an audience despite a reported $75 million price tag, with some screenings selling zero tickets and one London show drawing just a single attendee.Plus, The Museum of Fine Arts is laying off dozens of employees amid financial strain, raising questions about sustainability even at major institutions. Meanwhile, three Bob Ross paintings Finally, it’s a week in preview, with the hosts offering their suggestions for arts and culture happenings to take in. Jared suggests “Some Like it Hot,” now onstage through February 8; Lisa Simmons is suggesting a screening of the documentary “Harm in the Water,” on February 5, and Edgar B. Herwick III offers a Kubrick film festival at the Harvard FIlm Archives.
  • Donald Nally, founder and conductor of The Crossing, a Grammy-winning ensemble dedicated almost entirely to new music, joins The Culture Show ahead of their performance at Symphony Hall. The Crossing is joining the Boston Symphony Orchestra for a program exploring sacred music in the 21st century. The concert pairs David Lang’s “poor hymnal” with the Boston premiere of Carlos Simon’s “Good News Mass”. To learn more about upcoming performances go here. Culture Show producer Max Chow-Gillette takes inside 25 hours of the 30th Moby-Dick marathon, an annual voyage at the New Bedford Whaling Museum where Melville enthusiasts read the entire novel aloud.Culture Show contributor Julia Swanson takes us downtown for a Public Service Arts Announcement, spotlighting Boston Bricks — bronze reliefs embedded in the sidewalks of Winthrop Lane. An award-winning photographer, multidisciplinary artist and founder of The Art Walk Project, Swanson guides us through this hidden gem of a public art installation that tells Boston’s story from the ground up.
  • Today we’re hitting the snooze button for our Wednesday Watch Party — the show where we revisit the movies that shaped us, and ask if they still hold up. This month Jared Bowen, Callie Crossley and Edgar B. Herwick III are stuck in a time loop with “Groundhog Day.” Released in 1993, the Bill Murray comedy starts as a small-town farce and turns into something stranger and deeper: a romantic comedy about repetition, self-improvement, and what it means to actually change. In 2026 our hosts ask: does it hold up today? And do we get more out of the movie every time we watch it?