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A Boston-based podcast that thrives in how we live. What we like to see, watch, taste, hear, feel and talk about. It’s an expansive look at our society through art, culture and entertainment. It’s a conversation about the seminal moments and sizable shocks that are driving the daily discourse.  We’ll amplify local creatives and explore  the homegrown arts and culture landscape and tap into the big talent that tours Boston along the way.

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Episodes

  • On this edition of The Culture Show, Jared Bowen, Callie Crossley, and Joyce Kulhawik, go over the week’s top arts and culture headlines, which include“Michael,” the new Michael Jackson biopic is reigniting an old argument. The film leans into Jackson’s rise as a child star and global pop phenomenon while sidestepping the child sexual abuse allegations that permanently altered his public standing, raising questions about mythmaking, memory, and omission. Hollywood is revving Miami Vice back to life with Miami Vice ’85, a new feature film starring Michael B. Jordan as Tubbs and Austin Butler as Crockett. The project heads back into the franchise’s pastel, speedboat, neon-night vision of 1980s cool. In the final days of World War II, hundreds of paintings hidden in Berlin for safekeeping were destroyed by fire, including works by artists like Caravaggio and Rubens. Now those lost masterpieces are being recreated in digital form from old photographs, turning a story of destruction into one of remembrance. One of Britain’s great television landmarks is coming to a close. The documentary series Up, which returned to the same participants every seven years from childhood onward, became a portrait of class, fate, and the changing character of England; now 70 Up, directed by Asif Kapadia, will bring the series to an end later this year
  • Tom Perrotta joins us to discuss Ghost Town, his new novel about memory, grief, and the long pull of the past. The Election, Little Children, and The Leftovers author returns to familiar New Jersey ground in a story centered on Jimmy Perrini, a successful writer drawn back to the hometown and the formative loss he thought he had left behind. Perrotta will appear at the Brattle Theatre on Wednesday, April 29, at 6 p.m. for a Harvard Book Store event; tickets are available through Harvard Book Store. What could Mayor Michelle Wu’s proposed FY2027 budget mean for Boston’s public art landscape? Culture Show contributor Julia Swanson joins us for that conversation. She’s a multidisciplinary artist, producer, and award-winning photographer, and the creator of The Art Walk Project, a series of self-guided micro tours exploring public art across Greater Boston and beyond. On April 23, traditionally observed as Shakespeare’s birthday, we mark the staying power of a writer whose plays continue to be staged, adapted, and reimagined around the world. Joining us is Regie Gibson, the inaugural Poet Laureate of the Commonwealth of Massachusetts, a writer, performer, and educator whose work engages Shakespeare through spoken word — including his Hamlet-inspired poem “cry havoc (to thine own self be hip)”.
  • For this month’s Wednesday Watch Party, Jared Bowen is joined by Callie Crossley, host of GBH’s Under the Radar with Callie Crossley, and Joyce Kulhawik, Emmy Award-winning arts and entertainment critic and president of the Boston Theater Critics Association, to revisit When Harry Met Sally, the 1989 romantic comedy that helped define the genre and is still shaping how movies talk about love, friendship, and timing. Together they dig into the film’s autumn-in-Manhattan charm, its famous one-liners, and the question at its center: does When Harry Met Sally still hold up?
  • Geoff Bennett, co-anchor and co-managing editor of PBS NewsHour, joins The Culture Show to discuss his new book, Black Out Loud: The Revolutionary History of Black Comedy from Vaudeville to ’90s Sitcoms. Bennett traces the long arc of Black comedy, from minstrelsy and vaudeville to Richard Pryor, In Living Color, and Living Single. Alison Hoagland, professor emerita of historic preservation at Michigan Technological University and a board member of the National Trust for Historic Preservation, joins us to talk about the legal fight over President Trump’s White House ballroom project. The case, filed by the National Trust after the demolition of the East Wing, has become a high-stakes battle over preservation, presidential power, and the future of the White House grounds. Paul C. Ha, director of the MIT List Visual Arts Center, joins us as the museum marks its 40th anniversary. We discuss the List’s role in bringing contemporary art into the life of MIT, and the exhibitions, performances, and public programs celebrating four decades of experimentation and artistic inquiry.
  • Boston Pops conductor Keith Lockhart was recently honored with the Third Lantern Award at Old North Church, recognizing his role in using music to connect civic life and shared memory. As the nation approaches its 250th anniversary, he joins The Culture Show to reflect on the power of orchestral music at historic moments. Zara Anishanslin joins The Culture Show to talk through her latest book “The Painter’s Fire: A Forgotten History of the Artists Who Championed the American Revolution.” Zara Anishanslin is a Professor of History and Art History at the University of Delaware. As part of Countdown to 2026, we explore Paul Revere’s Sons of Liberty Bowl, crafted in 1768 to honor a Massachusetts vote rejecting new British taxes. Engraved with the names of lawmakers who opposed those measures, it’s a key artifact of early resistance. Ethan Lasser, Chief of Curatorial Affairs and Conservation at the Museum of Fine Arts, Boston, joins us for an overview. To learn more about the Sons of Liberty Bowl and the MFA’s exhibitions and programming go here.
  • On this edition of The Culture Show, Jared Bowen, Lisa Simmons, and James Sullivan go over the week’s top arts and culture headlines. Lisa Simmons is the Artistic and Executive Director of the Roxbury International Film Festival and program manager at Mass Cultural Council. James Sullivan is a journalist and author specializing in popular culture and Americana. He’s also on the Emerson faculty.Hampshire College, the experimental Amherst campus built around independent thinking and academic rebellion, will close after the fall semester under the weight of declining enrollment and financial strain. Its loss is hitting alumni hard, including filmmaker Ken Burns, who called Hampshire’s model of experimentation profoundly transformative. Meta is reportedly exploring whether AI can do more than complete tasks — whether it can replicate executive presence itself. The company is said to be building a digital version of Mark Zuckerberg that could advise employees across the organization, raising questions about whether this is a new kind of access or a new kind of control. The Rock & Roll Hall of Fame’s class of 2026 stretches across genres and generations, from Iron Maiden and Wu-Tang Clan to Sade and Oasis. It is a lineup that rewards longevity, settles a few old arguments, and reopens the question of who gets to define rock history. The Brady Bunch house has entered yet another phase of its afterlife. After HGTV rebuilt the interior to match the sitcom’s remembered world, the home now exists somewhere between landmark, attraction, and pop-culture shrine to the grooviest decade in television décor. At the MFA, Art in Bloom turns 50 this year, pairing works from the collection with floral arrangements inspired by them. The annual event brings together floral designers, garden clubs, and museum volunteers for one of the museum’s most colorful spring traditions.
  • Keefer Glenshaw joins The Culture Show ahead of Intention / Desire, a collaborative 24-hour performance that begins at sunset on April 25 and runs through sunset on April 26 at the Berklee Loft in Boston. Glenshaw, a musician, performance artist, electric cellist, and founder of the rock band The Romance, talks about pushing performance to its limits and inviting audiences directly into the work. MassArt president Mary Grant returns for our recurring feature “AI: Actual Intelligence,” where we hear from some of the region’s most original thinkers. This month, she joins us to talk about the school’s new co-op program and whether an art school can also become a pathway to work.Ahead of Patriots’ Day, Kiernan P. Schmitt joins us to go beyond the Freedom Trail and into the lesser-known corners of Greater Boston where the Revolution still leaves visible marks on the landscape. Schmitt is the author of Secret Boston: An Unusual Guide and co-host of the travel podcast Out of Office.
  • Providence-based six-piece Sharks Come Cruisin’ joined The Culture Show with their sea-shanty-driven sound, drawing on maritime music, group singing, and an instrument lineup that includes guitar, bass, banjo, fiddle, accordion, and melodica. The band also hosts the regular PVD Shanty Sing at The Parlour in Providence on May 8 and has a duo set at Aidan’s Pub in Bristol on May 10. A century after Robert Goddard launched the world’s first liquid-fueled rocket in Auburn, Massachusetts, Vanessa Bumpus, exhibition coordinator at the Museum of Worcester, joined us to discuss Worcester to the Stars: The Goddard Rocket Centennial. On view through August 1, the exhibition traces Worcester’s place in the history of American rocketry through artifacts and images from Clark University, NASA, the Smithsonian Institution, and other collections. Then we turned to the other Boston marathon: the Boston Theater Marathon XXVIII, a full-day relay of 50 new ten-minute plays staged by New England theater companies at Boston Playwrights’ Theatre on May 3. Nathan Alan Davis, Director of the MFA Playwriting Program and Associate Professor of the Practice of Playwriting at Boston University, joined us to talk about the event’s staying power and its broader role as a gathering point for the region’s theater community, with proceeds benefiting the Theatre Community Benevolent Fund.
  • Actor Bob Odenkirk and writer Derek Kolstad reunite after the Nobody films for Normal, a twisted neo-Western about a bank robbery that shatters the facade of a seemingly quiet small town. They join us ahead of the film’s theatrical release this Friday, April 17. To learn more, go here.At Harvard’s Houghton Library, Thanks for Typing brings long-overlooked women’s labor out of the margins and into the center of literary and artistic history. Christine Jacobson, Associate Curator of Modern Books and Manuscripts at Houghton Library and co-curator of the exhibition, joins us to discuss the typists behind drafts, dictation, revisions, and retyped pages — including work connected to writers like Henry James and Emily Dickinson. To learn more, go here.Say It Loud: AAMARP, 1977 to Now at the ICA traces nearly fifty years of art, activism, and community through the history of the African American Master Artists-in-Residence Program. Meghan Clare Considine, ICA’s Curatorial Assistant and featured artist Bryan McFarlane join us to discuss the larger story the exhibition tells about Black cultural life in Boston and what it means to see that history inside the museum now. To learn more, go here.
  • Historian and bestselling author Timothy Snyder joins The Culture Show to discuss how democracies weaken, how authoritarianism rises, and what freedom actually requires. Snyder, the inaugural Temerty Chair in Modern European History at the Munk School of Global Affairs & Public Policy at the University of Toronto, will be honored on April 26 at the Literary Lights Gala. Boston Youth Poet Laureate Ailin Sha joins us as our National Poetry Month celebration continues. Originally from Beijing and now a first-year student at Harvard College, Sha writes about migration, language, and belonging — themes that have helped shape both her poetry and her public work across the city. As the Boston Symphony Orchestra heads into a major leadership transition, writer, composer, and director Bill Barclay argues that the conversation about classical music audiences is overdue for a reset. He joins us to talk about why he believes the future audience for live classical music is younger than many people think — and about several upcoming performances: the BSO’s Explorer Concert on Beethoven’s Fifth on April 14, the Boston Symphony Chamber Players’ All-Stravinsky program on April 24, and Boston Baroque’s Idomeneo on April 24 and 26.