What matters to you.
0:00
0:00
NEXT UP:
 
Top

GBH Search Results

GBH Search Results | GBH

  • Established in 1907, New York's Japan Society has evolved into North America's single major producer of high-quality content on Japan for an English-speaking audience. Presenting over 100 events annually through well established Corporate, Education, Film, Gallery, Lectures, Performing Arts and Innovators Network programs, the Society is an internationally recognized nonprofit, nonpolitical organization that provides access to information on Japan, offers opportunities to experience Japanese culture, and fosters sustained and open dialogue on issues important to the U.S., Japan, and East Asia. Among the premier institutions in the U.S. for the presentation of Japanese art, Japan Society organizes three world-class exhibitions annually. Every season, the Society presents over 30 performances of Japan's traditional performing arts and cutting-edge contemporary dance, music and theater in its 262-seat auditorium. Film screenings range from classics series to festivals of today's most popular new cinema. In addition, high-profile conferences, symposia and receptions offer unparalleled access to international business and policy leaders. Further educational programs include cultural lectures, student and teacher workshops, family programs that explore Japan's culture and customs, and language classes at the world-renowned Toyota Language Center. One of Japan Society's newest endeavors, the U.S.-Japan Innovators Network, identifies and connects leading social entrepreneurs from every sector to improve mutual understanding and the quality of life throughout the world. Japan Society was founded on May 19, 1907, by a group of prominent New York business people and philanthropists, many of whom shaped the policies of exchange and collaboration that guided it through the 1930s until the outbreak of World War II. After the war, activities slowly resumed, and the stewardship of John D. Rockefeller 3rd from 1952-78 led to a unified vision and a firm financial foundation with a revitalized mission "to bring the people of the United States and Japan closer together in appreciation and understanding of each other." Built on land donated by Rockefeller, Japan Society's landmark building was designed by architect Junzo Yoshimura and opened in 1971 as the first building by a leading Japanese architect in New York City. Located near the United Nations on 47th Street and First Avenue across the street from Dag Hammarskjld Plaza park--just a short walk from Grand Central Station--activities at Japan Society are set against a stunning backdrop of indoor gardens, a reflecting pool and a waterfall. Furnished with a superb collection of tables, chairs and benches designed by master woodworker George Nakashima, the facilities include a 262-seat theater, art gallery, language center, library, conference facilities and over three floors of administrative space. The classic elegance and simplicity of Yoshimura's original vision has been preserved even as the building has been enhanced by a substantial renovation completed in 1998. In 2006 the Society opened a high-end boutique shop nestled on the second floor next to the gallery.
  • Daniel Steger and his husband temporarily relocated while the film shot at their home in West Roxbury. Steger joins The Culture Show to talk about what that experience was like.
  • From Kuwait City to Singapore, US architecture firms are realizing an increasing share of their commissions from projects abroad. This raises immediate, sometimes delicate questions: What is the responsibility of US architects to sustainability, to the local workforce, to a country’s design aesthetic? What can we learn from the developing world? Join 2015 AIA Gold Medal winner Moshe Safdie FAIA and other Boston-area architects for a wide-ranging discussion. Read Renée Loth's interview with Moshe Safdie in [Architecture Boston](http://www.architects.org/architectureboston/articles/conversation-citizen-world "AB Magazine"). Photo: [Safdie Architects](http://www.msafdie.com/# "")
    Partner:
    Boston Society of Architects/AIA and the BSA Foundation
  • In the spring of 2015, when Boston Mayor Martin J. Walsh announced the launch of Boston’s first citywide planning process in 50 years, he began a two-year public engagement process to create a roadmap for success leading up to Boston’s 400th birthday. He called it _Imagine Boston 2030_. The Mayor encouraged residents to visit Imagine.Boston.gov and get involved in the conversation. The Mayor made the announcement at the [Innovative Design Alternatives Summit (IDeAS)](http://www.architects.org/programs-and-events/ideas-innovative-design-alternatives-summit-%E2%80%93-day-1 "") at Faneuil Hall. Through Imagine Boston, the City hopes to take a more dynamic approach to community engagement than has been done with planning efforts in the past. As a first step to inform the process, Mayor Walsh is asking community members to share their preferences for how they want to be engaged by completing a short online survey on the website, and to join the conversation on Twitter by using the hashtag #ImagineBos. Imagine Boston 2030 will be a multi-phase initiative over the next two years. Starting with an evaluation of baseline conditions, Boston expects to begin a more robust public visioning process in the fall of 2015, where community members will be able to contribute ideas to shape Boston’s future. A final plan is expected to be adopted in Summer 2017. While design and architecture is the focus of IDeAS, the summit also serves as an opportunity to discuss planning the future of Boston more broadly. In this video, a panel drills down on planning as part of a day-long series of discussions at BSA Space on Congress Street. _IDeAS is sponsored by The Boston Foundation, Boston Society of Architects Foundation, and Autodesk. _
    Partner:
    Boston Society of Architects/AIA and the BSA Foundation
  • We remember the late architect, urban planner, historian and activist who worked to preserve the history of his beloved Chinatown.
  • Rita Duffy was born in Belfast and graduated with an honorary BA and MA in Fine Art from the University of Ulster in 1985. One of Ireland's groundbreaking visual artists, she has produced acclaimed public art projects, including her early project Thaw, inspired by the Belfast ship Titanic. This post-conflict project explored Belfast’s relationship with the iceberg and aimed to connect local experiences of colonialism and sectarianism with a universal climate crisis. In 2011, she was awarded a Leverhulme Fellowship to work at the Transitional Justice Institute, University of Ulster. She was recognized for her contribution to visual arts in Ireland in 2018 and elected to Aosdana, Ireland’s elected “people of the arts.” She was made an Honorary Member of the Royal Society of Architects and was an associate at Goldsmiths, University of London, where she looked at the role of art in post-conflict societies. In 2024, she was appointed the Charlotte Maxeke-Mary Robinson Irish South Africa Research Chair at the University of the Western Cape in South Africa.

    Her recent projects include The Shirt Factory Project, The Souvenir Shop, Soften the Border, and The Raft. She has held residencies at the Long Room Hub at Trinity College in Dublin and the Irish Museum of Modern Art. Duffy’s work is held in museum and private collections worldwide and her public art projects continue to grow in scale and ambition, exploring issues of female identity, history and politics, and borders.

    Produced by Boston College Lowell Humanities Series, cosponsored by Irish Studies at Boston College and the Art, Art History, and Film Department.
    Partner:
    Boston College
  • Peter Smith of the Boston Society of Architects, Larissa Brown, chief planner for urban design firm Goody and Clancy, and Kristina Egan, director of the Massachusetts Smart Growth Alliance discuss transit oriented development and "smart growth" are new initiatives in urban design aimed at creating "green cities." How is it possible to design urban communities that are economically and environmentally sustainable? How do such communities work? Are they coming to your region soon?
    Partner:
    Cambridge Forum
  • The Boston Society of Architects challenged four interdisciplinary design teams, led by Brian Healy FAIA, Eric Höweler AIA, Beth Whittaker AIA, and the BSA Emerging Professionals Network, to suggest new housing plans for a parcel in Dorchester, MA. The idea was to answer Boston Mayor Marty Walsh's call to create 53,000 new workforce housing units by 2030. The site, on Dorchester Avenue (between the Broadway and Andrew MBTA Red Line stops), is uninhabited, convenient to two T stations and large enough for fourt distinct projects. The designs each team presented answered a mulititude of questions, from how many parking spaces to work with, to lving in your work space, to community gardening programs that would provide extra elbow room to micro-unit dwellers. **See Part One**: [Urban Design in Dorchester](http://forum-network.org/lectures/housing-urban-design-discussion/ "")
    Partner:
    Boston Society of Architects/AIA and the BSA Foundation
  • "Trinity Church in the City of Boston is recognized for its National Historic Landmark building, considered by members of the American Association of Architects as one of this country’s top 10 buildings. The parish that calls it home was actually founded in 1733, more than 150 years before the current church was built. ...Thriving outreach ministries have been as much a part of Trinity’s DNA as its architecture, preaching, teaching, and pastoral care. With our baptismal vows, we promise to seek and serve Christ in all persons, and to strive for justice, peace, and dignity among all people. These ministries have often reflected the needs of the time—job training and child care for recent immigrants, responding to health crises such as tuberculosis and AIDS, feeding the hungry, and helping to house the elderly and homeless."