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Narrative and Music as Tools of Black Liberation

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Two young Black men in t-shirts and jeans hold microphones and perform on stage.
Date and time
Thursday, March 26, 2026
6:30pm - 7:30pm

From the freedom songs that sustained enslaved people to the hip-hop anthems that call for justice today, Black communities have long turned to stories and music as vessels of survival, resistance, and liberation. Theatrical performance, oral storytelling, and song have not only preserved memory but have also mobilized movements, shaped collective identity, and inspired visions of freedom. This panel explores how narrative and music function as radical tools for Black liberation—both historically and today. Panelists will discuss traditions that stretch from early narratives of resilience and freedom songs to contemporary theater, spoken word, and community-based performance. We’ll examine how these artistic practices resist erasure, affirm dignity, and galvanize social change, while also celebrating joy, resilience, and imagination.

Together, we’ll ask: How do stories and songs carry knowledge across generations? How does art hold space for healing while challenging systems of oppression? And how can today’s artists, scholars, and cultural leaders continue to amplify Black voices as catalysts for liberation?

The Point speaker series is created in partnership with GBH’s Forum Network.

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Davis is an artist and scholar interested in how the arts can facilitate community conversation, resistance, and change. She is particularly focused on cultural work within Black freedom movements and has conducted research in such places as Cuba, Brazil, and New Orleans. She is currently developing an applied theatre project with formerly incarcerated people in partnership with Ritual4Return, Emerson Prison Initiative, and New Beginnings Reentry Services.
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Aja Burrell Wood is the managing director for Berklee’s Institute of Jazz and Gender Justice. Wood oversees the day-to-day operations of the institute and collaborates with founder and artistic director Terri Lyne Carrington on developing curriculum, programs, and initiatives in addition to teaching courses related to gender and justice in jazz, and curating events, among other duties.
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Jiménez works at the intersection of justice, economic development, and community development. She has carved out a unique path focused on building systems where equity, cultural memory, and collective power can thrive. She holds a Master’s in Urban Planning from Boston University and is a trusted community strategist and consultant to mission-driven organizations. Her work has supported a range of civic and community initiatives, including contributing her expertise to the City of Boston’s Rent Stabilization Advisory Committee.
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