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Free online lectures: Explore a world of ideas

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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Building the High Museum's African Art Collection

    Tue, Sep 13, 2005
    Carol Thompson, Richman Family curator of African art discusses the evolution of the growing African art collection at the High Museum and her vision for the future. Thompson's goal is to create the most significant African art collection in the southeastern United States.
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    High Museum of Art

  • Color in Greek and Roman Ancient Bronzes

    Sat, Feb 2, 2008
    Sophie DesCamps, curator of the Musée du Louvre, discusses colors in Greek and Roman ancient bronzes. This lecture is presented in conjunction with the exhibition "Louvre Atlanta: The Louvre and the Ancient World". Descamps has co-authored the book *The Ancient Greeks: In the Land of the Gods*.
    Forum Network
    Partner:
    High Museum of Art

  • Robert G. Workman: Crystal Bridges

    Thu, Feb 28, 2008
    Robert G. Workman, executive director of Crystal Bridges Museum of American Art, discusses the planning, organization, construction, and implementation of the new museum project. Founded by Alice Walton, Crystal Bridges is envisioned as a premier national art institution dedicated to American art and artists. Under construction in Bentonville, AR, the museum complex encompasses approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. This lecture, *Creating a Sense of Place: Art, Architecture and Nature at Crystal Bridges Museum of American Art*, inaugurates the High Museum's Margaret and Terry Stent Distinguished Lecture Series.
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    High Museum of Art

  • Alfred Stieglitz's Photography of Georgia O'Keeffe

    Thu, Mar 6, 2008
    Independent scholar Lisa Kurzner discusses Alfred Stieglitz's photographs of artist Georgia O'Keeffe. Educated in Berlin, Stieglitz studied engineering and photography before returning to the US at the turn of the century and opening the 291 gallery. He pioneered the art of photography, and single-handedly introduced America to the works of Picasso, Matisse, and Cezanne at the gallery. Stieglitz took more than 300 portraits of O'Keeffe between 1918 and 1937. Most of the more erotic poses would be in the first few years of their marriage.
    Forum Network
    Partner:
    High Museum of Art

  • Luncheon of the Boating Party

    Sun, Nov 11, 2007
    Susan Vreeland discusses her latest book, *Luncheon of the Boating Party*, a vivid exploration of one of the most beloved Renoir paintings in the world. With a palette of vibrant characters, Vreeland paints their lives, loves, losses, and triumphs in a brilliant portrait of her own.
    Forum Network
    Partner:
    High Museum of Art

  • Tribute to James Brown

    Thu, Sep 27, 2007
    A panel pays tribute to the musical legacy of James Brown. During the 1960s James Brown gained the titles “Godfather of Soul” and the “Hardest Working Man in Show Business.” Brown's sound reflected the nation's generational struggle, and his influence reached across the Atlantic to Bamako, Mali, where his style and music became a source of inspiration for the growing youth culture. It was this vibrant culture that Malick Sidibe dynamically captured through his photographs.
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    High Museum of Art

  • Looking Back on Impressionism

    Sat, Oct 13, 2007
    Ann Dumas, a leading independent scholar on Impressionism, talks about the Impressionists dialogue with the art of the past. The popular view of Impressionism is that it broke completely from the artistic traditions of previous centuries. In truth, the Impressionists copied the Old Masters and transformed their motifs and compositions into something completely new.
    Forum Network
    Partner:
    High Museum of Art

  • Claude Monet and the Landscape Tradition

    Thu, Jan 10, 2008
    David Brenneman, director of collections and exhibitions at Atlanta's High Museum of Art, draws comparisons between Monet's work and the masters of the Dutch landscape tradition, as well as other Old Master traditions. Monet claimed that he was never influenced by the Old Masters; instead, his inspiration came from his own experiences. However, it is clear that he was inspired by the atmospheric expanses of sky and reflections in the surfaces of water depicted in 17th century Dutch landscapes.
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    High Museum of Art

  • The Maidservant by Camille Pissarro

    Thu, Jan 3, 2008
    Jenna Madison gives an in-depth view on the background of French Impressionist Camille Pissarro's painting, *The Maidservant*.
    Forum Network
    Partner:
    High Museum of Art

  • Visit to the Museum by Edgar Degas

    Thu, Dec 6, 2007
    Julia Forbes lends her expertise to a close-up look at Edgar Degas' *Visit to the Museum*.
    Forum Network
    Partner:
    High Museum of Art
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