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Harvard Book Store

Harvard Book Store is an independently run bookstore serving the greater Cambridge area. The bookstore is located in Harvard Square and has been family-owned since 1932. We are known for our extraordinary selection of new, used and remaindered books and for a history of innovation. In 2009, we introduced same-day "green delivery" and a book-making robot capable of printing and binding any of millions of titles in minutes. Find out more about us at www.harvard.com.

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  • _A Self-Made Man: The Political Life of Abraham Lincoln, 1809-1849_ (2016) is the first of a multi-volume history of Lincoln as a political genius - from his obscure beginnings to his presidency, his assassination, and the overthrow of his post-Civil War dreams of Reconstruction. In this first volume, which he discusses at Harvard Book Store, **Sidney Blumenthal** traces Lincoln from his painful youth to his emergence as the man we know as Abraham Lincoln. Abraham Lincoln's anti-slavery thinking began in his childhood amidst the Primitive Baptist antislavery dissidents in backwoods Kentucky and Indiana, the roots of his repudiation of Southern Christian pro-slavery theology. Intensely ambitious, he held political aspirations from his earliest years. Obsessed with Stephen Douglas, his political rival, he battled him for decades. Successful as a circuit lawyer, Lincoln built his team of loyalists. Blumenthal reveals how Douglas and Jefferson Davis acting together made possible Lincoln’s rise. While depicting the successful politician, Blumenthal also describes a socially awkward suitor who had a nervous breakdown over his inability to deal with the opposite sex. Lincoln's marriage to the upper-class Mary Todd was crucial to his social aspirations and his political career. Blumenthal portrays Mary as an asset to her husband, a rare woman of her day with strong political opinions. Blumenthal's robust portrayal is based on prodigious research of Lincoln's record and of the period and its main players. The book reflects both Lincoln's time and the struggle that consumes our own political debate. (Photo: Ian Manka (Own work) [[CC BY 3.0](http://creativecommons.org/licenses/by/3.0 "CC License")], via [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:Lincoln_Home.jpg "Lincoln Home"), image cropped) By Ian Manka (Contact me at the English Wikipedia, en:User:IanManka) (Own work) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons
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  • For twenty-five years **Dan Lyons** was a magazine writer at the top of his profession—until one Friday morning when he received a phone call: Poof. His job no longer existed. "I think they just want to hire younger people," his boss at Newsweek told him. Fifty years old and with a wife and two young kids, Dan was, in a word, screwed. Then an idea hit. Dan had long reported on Silicon Valley and the tech explosion. Why not join it? HubSpot, a Boston start-up, was flush with $100 million in venture capital. They offered Dan a pile of stock options for the vague role of "marketing fellow." What could go wrong? HubSpotters were true believers: They were making the world a better place . . . by selling email spam. The office vibe was frat house meets cult compound: The party began at four thirty on Friday and lasted well into the night; "shower pods" became hook-up dens; a push-up club met at noon in the lobby, while nearby, in the "content factory," Nerf gun fights raged. Groups went on "walking meetings," and Dan's absentee boss sent cryptic emails about employees who had "graduated" (read: been fired). In the middle of all this was Dan, exactly twice the age of the average HubSpot employee, and literally old enough to be the father of most of his co-workers, sitting at his desk on his bouncy-ball "chair."
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  • When Mahmoud Ahmadinejad rose to power in 2005, the Iranian government took everything from Shirin Ebadi—her marriage, friends, and colleagues, her home, her legal career, even her Nobel Prize. She discusses her book, "Until We Are Free: My Fight for Human Rights in Iran," with the Kennedy School's Swanee Hunt.
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  • As New York City’s transportation commissioner, **Janette Sadik-Khan** managed the seemingly impossible and transformed the streets of one of the world’s greatest, toughest cities into dynamic spaces safe for pedestrians and bikers. Her approach was dramatic and effective: Simply painting a part of the street to make it into a plaza or bus lane not only made the street safer, but it also lessened congestion and increased foot traffic, which improved the bottom line of businesses. Real-life experience confirmed that if you know how to read the street, you can make it function better by not totally reconstructing it but by reallocating the space that’s already there. Breaking the street into its component parts, _Streetfight: Handbook for an Urban Revolution_ demonstrates, with step-by-step visuals, how to rewrite the underlying "source code" of a street, with pointers on how to add protected bike paths, improve crosswalk space, and provide visual cues to reduce speeding. Achieving such a radical overhaul wasn’t easy, and _Streetfight_ pulls back the curtain on the battles Sadik-Khan won to make her approach work. In the book, which she discusses with Professor **Jerold Kayden**, of the Harvard University Graduate School of Design, Sadik-Khan includes examples of how her way to read the streets has made its way around the world, from pocket parks in Mexico City and Los Angeles to more pedestrian-friendly streets in Auckland and Buenos Aires, and innovative bike-lane designs and plazas in Austin, Indianapolis, and San Francisco. _Streetfight_ deconstructs, reassembles, and reinvents the street, inviting readers to see it in ways they never imagined. (Photo: [Flickr/itdp](https://www.flickr.com/photos/itdp/12463260285/in/photolist-ojw4nk-ohtDXt-bzK6Gq-o1g8g6-jZkt52-jZmkbn-jZo6Th-o1giZF-jZmk5a-jZo6Hh-o1g46J-o1ggUj-ohHnAJ-ohKKND-ohHzRW-ohHzV3-o1ggzG-ofHUiG-ojw3C4-ofJ7Dd-o1g4fm-oht7wT-o1gjcK-ohtk1a-ojvQBF-ohLirZ-ohHnr5-o1gwVR-ojvQBk-ojw3JB-o1gwkT-o1gx2m-ohtjEk-7MK2aV "Janette Sadik-Khan cover"), image cropped)
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  • **Diane Rehm** is best known as the beloved host of WAMU's _The Diane Rehm Show_, but she is also the author of a memoir, _On My Own_. **Robin Young**, co-host of WBUR's _Here & Now_, joins her in a discussion of her book. When Rehm's husband, John, passed away from Parkinson's Disease, she found herself "on her own" after fifty-four years of marriage. She struggled to create a new life within her new reality, learning how to cope with emotional and practical issues by herself while holding on to her memories of him. Rehm's memoir describes her experiences as well as those of some recently widowed friends of hers, exploring a variety of reactions to the death of a spouse. Beyond telling the story of her forging a new life on her own, she discusses the meaning she has found in advocating for the "right to die" movement in honor of her husband's unnecessarily prolonged suffering prior to his death. The book is both practical and inspiring, offering comfort for the recently bereaved and hope about the possibilities that remain to each of us as we deal with our inevitable mortality. (Photo: [Jay/Flickr](https://www.flickr.com/photos/jaypcool/1441098866/in/photolist-3cm1ub-6gM9E3-6gM9CG-6gGXVZ-6gGXXK-ayHx7v "Diane Rehm"))
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  • **Catherine J. Ross**, Professor of Law at the George Washington University Law School and Visiting Scholar at the Harvard School of Education, discusses her book, _Lessons in Censorship: How Schools and Courts Subvert Students' First Amendment Rights_. Together with the Harvard Book Store, Harvard's Hutchins Center for African & African American Research has welcomed Ross to share her book's message. _Lessons in Censorship_ highlights the troubling and growing tendency of schools, especially public schools, to clamp down on off-campus speech such as texting and sexting and reveals how well-intentioned measures to counter verbal bullying and hate speech may impinge on free speech. For several decades the Supreme Court emphasized the role of schools in cultivating liberty. Since the 1970s, however, our judicial system has moved towards censoring certain categories of student speech in the name of order and authority, even if these actions are unconstitutional. In her book, Ross tells the stories of several legal battles over censorship in schools and introduces the young protesters, journalists, and artists who fought for their expressive rights. Understanding the need for a balance between freedom and order, she proposes ways to protect free expression without disrupting education.
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  • Comics scholar and Visiting Professor in the Harvard University English Department **Hillary L. Chute** discusses her 2016 book, _Disaster Drawn: Visual Witness, Comics, and Documentary Form_. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics have come of age as a serious medium for engaging history, _Disaster Drawn_ explores the ways graphic narratives by diverse artists document the disasters of war. In her book, Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman’s first "Maus" story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of "atomic bomb manga," the comic book "Ore Wa Mita" ("I Saw It") - a title that alludes to Francisco Goya’s famous Disasters of War etchings. Chute explains how the form of comics, their collections of frames, lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics call attention to themselves as evidence. _Disaster Drawn_ demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness. (Image: Francisco Goya [Public domain], via [Wikimedia Commons](https://commons.wikimedia.org/wiki/File%3AFrancisco_de_Goya_-_I_saw_it_(Yo_lo_vi)_from_the_series_The_Disasters_of_War_(Los_Desastres_de_la_Guerra)_-_Google_Art_Project.jpg "Goya Disaster Drawn"))
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  • **E. J. Dionne**, Jr., columnist for the Washington Post and commentator for NPR, discusses his 2016 book, _Why the Right Went Wrong: Conservatism - from Goldwater to the Tea Party and Beyond_. The book, which analyzes the American political right from the 1960s onward, argues that the origin of the radicalism of some twenty-first-century conservative groups lies not with the Tea Party, but rather with Barry Goldwater's views during his 1964 presidential campaign. In this event, Dionne explores his theory of how Goldwater's ideology impacted later Republican presidencies and eventually gave rise to the Tea Party. (Photo: [Flickr/sushiesque](https://www.flickr.com/photos/sushiesque/8647458179/in/photolist-eb9u3x-6ftskX-caiG65-6fxDJs-6ftqov-6fxDf3-6fxAsL-6ftt32-6fxEcU-eb9B1a-6fttyc-6ftrqz-6ftqJk-6ftsu6-6fxA3w-6fxDAq-6ftrNZ-6fxBnh-6ftrAe-6ftrfz-6ftrXP-6fxzSL-6fxB2G-6ftr32-6ftqbr-6fts9n-6WZcv7-eb9sBR-ebfcJC-ebf8E3-eb9nzx-eb9s3p-eb9zdg-eb9C8X-ebf8Zw-ebfaZo-eb9t6T-ebf2Ph-eb9wgc-ebf8mN-ebfbQ3-eb9o3c-ebfcif-ebf9LS-ebf3MN-7TJogZ-d2dNfJ-8dv8Em-8dpSFW-eb9rvp "Tea Party"), image cropped)
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  • **Elizabeth Strout** reads from her latest novel, _My Name is Lucy Barton_, joined in conversation by fellow author **Brock Clarke**. _My Name is Lucy Barton_ tells the story of a mother-daughter relationship more complicated than it appears at the surface. While protagonist Lucy Barton recovers from a simple operation, her estranged mother visits her in the hospital. The two women connect over gossip from the town where Lucy grew up, but soon they uncover the tensions that have strained their relationship for much of Lucy's life. Strout writes from Lucy's point of view, crafting an observant, unforgettable, and deeply human voice. (Photo © Leonard-Cendamo.)
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  • Over two million of the nation’s eleven million undocumented immigrants have lived in the United States since childhood. Due to a broken immigration system, they grow up to uncertain futures. In Lives in Limbo, **Roberto G. Gonzales** introduces us to two groups: the college-goers, like Ricardo, who had good grades and a strong network of community support that propelled him to college and DREAM Act organizing but still landed in a factory job a few short years after graduation, and the early-exiters, like Gabriel, who failed to make meaningful connections in high school and started navigating dead-end jobs, immigration checkpoints, and a world narrowly circumscribed by legal limitations. This vivid ethnography explores why highly educated undocumented youth share similar work and life outcomes with their less-educated peers, despite the fact that higher education is touted as the path to integration and success in America. Mining the results of an extraordinary twelve-year study that followed 150 undocumented young adults in Los Angeles, Lives in Limbo exposes the failures of a system that integrates children into K-12 schools but ultimately denies them the rewards of their labor. (Photo: [Edward Kimmel](https://www.flickr.com/photos/mdfriendofhillary/7726784824/in/photostream/ "flickr")/Flickr)
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