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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

George Washington's God

Thu, Mar 9, 2006

Michael Novak, one of the country's leading conservative thinkers, offers the first in-depth look at the religious life of George Washington. Washington has long been viewed as the patron saint of secular government, but Novak's new book *Washington's God* reveals that it was Washington's strong faith in divine Providence that gave meaning and force to his monumental life. Narrowly escaping a British trap during the Battle of Brooklyn, Washington did not credit his survival to courage or tactical expertise; he blamed himself for marching his men into seemingly certain doom and marveled at the Providence that delivered them. Throughout his career, Washington remained convinced that America's liberty was dependent on faithfulness to God's will and trust in Providence. *Washington's God* shows him not only as a man of resource, strength, and virtue, but also as a man with deeply religious values. This new presentation of Washington will bring him into today's debates about the role of faith in government and will challenge much we thought we knew about the inner life of the father of our country.

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New York World: Graphic Art on Sunday (1898-1911)

Tue, Dec 6, 2005

Before the age of electronic media, Saturday morning television, and weekend getaways, there was Joseph Pulitzer's *New York World* newspaper. The Sunday edition in particular was a visual feast of color caricatures, full-page cartoons, disaster drawings, fictional illustrations, hand-lettered typography, weird science, halftone photographs, maps and more amidst the graphic, often muckraking news. For *The World on Sunday*, Baker and his coauthor and wife, Margaret Brentano, have selected 144 of the finest examples of period reporting, bold and playful graphic design, comic strips, and society pieces. Baker's introductory essay argues for the significance and beauty of Pulitzer's paper, and Brentano's detailed captions and notes accompany the colorful reproductions throughout the volume. Athenæum member Nicholson Baker has published seven novels and three works of nonfiction, including *Double Fold: Libraries and the Assault on Paper*, which won the National Book critics Circle Award for nonfiction in 2001. He is a regular contributor to *The New Yorker* and the *New York Review of Books*.

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William John Bankes: The Exiled Collector

Thu, Oct 6, 2005

Anne Sebba discusses her new book about William John Bankes, The Exiled Collector. William John Bankes was a former Tory MP, pioneer Egyptologist, renowned traveler, and consummate collector. A prominent figure in early Victorian Britain and friend to both Byron and the Duke of Wellington, Bankes was forced to flee Britain in 1841 and settled in Venice. He lost his possessions and property to the authorities, but unable to let his standing as an outlaw interfere with his affection for his prior estate, Bankes continued to decorate his beloved home and assemble his extraordinary collection. He collected obsessively for the house that he no longer owned, sending art, sculpture by Carlo Marochetti, huge quantities of marble, gilding, leatherwork, and Pietra Dura to the estate, which he visited in secret near the end of his life. Ms. Sebba recants the dramatic events in William Bankes' life, using previously unpublished archives, and examining the psychology of collecting as well as the pain and creativity of exile.

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Burying Sir Joshua Reynolds

Tue, Sep 27, 2005

Richard Wendorf discusses his new book on British art in the 18th and 19th centuries, an experiment in cultural history that combines analysis of specific artistic objects with an exploration of the cultural conditions in which they were created. In a lecture titled "After Sir Joshua" presented at the Athenæum eight years ago, Richard Wendorf investigated Sir Joshua Reynolds' legacy among the biographers, painters, and writers who followed him. In "Burying Sir Joshua," Wendorf provides an illustrated analysis of the various cultural factors that made the preparation for Reynolds' funeral in 1792 so difficult. Drawing on rarely seen archival material in the Hyde Collection at the Houghton Library, Wendorf charts the day-by-day events involving not only the recently deceased first president of the Royal Academy, but the artist Benjamin West, the architect Sir William Chambers, and the politician and writer Edmund Burke as well. "Burying Sir Joshua" is the final Athenæum lecture based on Wendorf's new book, *After Sir Joshua: Essays on British Art and Cultural History*.

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North Shore Boston: Country Houses of Essex County

Tue, Oct 4, 2005

Pamela Wilkinson Fox discusses more than 50 great houses in Boston's North Shore, designed by such architects as McKim, Mead & White, the Olmsted Brothers, Peabody & Stearns, and Ogden Codman. Since the mid-19th century, well-to-do Bostonians have fled the sweltering city streets for the cooling breezes, gently rolling hills, and rugged coastline of the fabled North Shore. From prestigious seaside communities such as Nahant, Marblehead, and Prides' Crossing to inland villages such as Wenham, Topsfield, and Ipswich, elegant country mansions arose, growing ever grander and more elaborate as the Age of Elegance progressed. Exclusive enclaves such as the Myopia Hunt Club, Eastern Yacht Club, and the Essex Country Club endowed the North Shore with a summer playground where Boston Brahmins mingled with Midwestern moguls (Henry Clay Frick, Richard Crane, and Edwin Swift), US Presidents (William Howard Taft and Calvin Coolidge), and artists and authors, including Maxfield Parrish, Edward Hopper, and Rudyard Kipling.

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Letters of a Portuguese Nun: 17th Century Forbidden Love

Tue, Feb 21, 2006

Myriam Cyr makes the case that the nun, Mariana Alcoforado, is indeed the author of one of the great literary masterpieces of the 17th century, *Portuguese Letters*. Mariana's story is one of the most moving in the history of forbidden love. In 1669, a Parisian bookseller published a slim volume called *Portuguese Letters*, which unveiled a love affair between a young Portuguese nun and a French officer that had occurred a few years earlier during a chaotic and war torn period in Portugal. The book contained passionate love letters the nun had written when the officer was forced to return to France. The letters took Paris by storm. They spoke of love in a manner so direct, so precise, and so raw that they sent shivers of recognition through the sophisticated strata of polite society. Through the centuries they have captured the hearts of poets and painters alike and retain all of their beauty and power today. Stendhal said "one has not loved until they have loved like the Portuguese nun." Braque and Matisse tried to imagine her. As remarkable as the letters are, they are rivaled by the mystery that surrounds them. Scholars debate whether a Portuguese nun could have written words of such stunning truth and beauty preferring to believe that a French aristocrat wrote the letters in answer to a dare.

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How Free Blacks from Boston Changed America

Fri, Feb 24, 2006

Steven Kendrick and Paul Kendrick discuss the 1847 Massachusetts Supreme Court case of schoolgirl Sarah Roberts, and the lasting impact it made in American history. In 1847, on windswept Beacon Hill, a 5-year-old girl named Sarah Roberts was forced to walk past five white schools to attend the poor and densely crowded black school. Her father, Benjamin, sued the city of Boston on her behalf, turning to 24-year-old Robert Morris, the first black attorney to win a jury case in America. Together with young lawyer Charles Sumner, this legal team forged a powerful argument against school segregation that has reverberated down through American history in a direct legal line to Brown v. Board of Education. When the Massachusetts Supreme Judicial Court ruled against Sarah Roberts, Chief Justice Shaw created the concept of "separate but equal", an idea that effected every aspect of American life until it was overturned 100 years later by Thurgood Marshall.

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Tremont Row: Artists' Daguerreotype Rooms

Tue, Feb 28, 2006

Grant Romer, curator of the Addison Gallery of American Art's "Daguerreotypes of Southworth & Hawes" exhibition, shows how new research has revealed that the architecture of the renowned Tremont Row studio played a highly significant role in the development of the distinctive style of the partnership. With ample illustrations, he recounts how this understanding of the physical space was reconstructed and demonstrates how much it has added to appreciating the artistry of these acknowledged masters of early photography. Romer's acclaimed exhibition "Young America: The Daguerreotypes of Southworth & Hawes" offers an unparalleled opportunity to view 150 perfectly illuminated daguerreotypes created by the famous Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes. Through their lens we come face to face with great statesman, intellectuals, and celebrities, glimpse intimate family portraits, and examine the very bricks and clouds of the mid-19th century.

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Boston in 2030

Thu, Apr 20, 2006

Marc D. Draisen of the Metropolitan Area Planning Council asks what metro Boston will look like in 2030 if we continue to grow at our current rate. The MAPC's MetroFuture project, an initiative to develop a plan for metro Boston's growth and development through 2030, has involved more than 2,000 people, including municipal officials, residents, workers, community groups, and legislators. The MetroFuture team has integrated findings about the region into "Scenario 1: Current Trends Extended to 2030," which presents a likely picture of the region if current conditions persist. This has served as a starting point for discussions across metro Boston about such details as: where and how our population will live and work; how prepared they will be for the jobs of the future; the growing stress on our water resources; impacts on municipal budgets; and the dramatic increase in the elderly population in the region.

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Hip-Hop Culture, Politics, and Identities

Tue, Mar 28, 2006

Moderated by Isaiah Jackson, various panelists come together to discuss the politics, identities and cultures that have been emerging from the hip-hop movement. In its varied aspects, hip-hop embraces music, art, and dance. Emerging in the early 1970s from the African American and Latino communities of the Bronx, hip-hop culture has evolved into a creative force drawing an economically and culturally diverse international audience. Defying controversies and negative labels associated with hip-hop, artists and activists are increasingly collaborating to move hip-hop in the direction of greater political engagement and social responsibility. Today, hip-hop has the potential to serve as a positive agent for change at the community and national levels. Cosponsored by the Boston Athenaeum and The Partnership.

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