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Engrave, Paint, Sew, Weave: Craft and Craftspeople in Massachusetts

Piece by Piece: Crazy Quilting and Making Memory in 19th-Century Massachusetts

In partnership with:
With support from: Lowell Institute
random pieces of colorful fabric, black and printed, all stitched together in random patterns with colorful threads
Date and time
Monday, October 26, 2026
6:30pm
Virtual:
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Tenesha Carter Johnson is a curator and cultural historian, with a particular investment in American quilt and textile histories. In her talk we'll look closely at a crazy quilt, where one can find a life woven in the mosaic of textured surfaces: a scrap of wedding silk, a ribbon from the county fair, a souvenir swatch, a sliver of someone’s favorite dress.

Gaining distinct popularity by the end of the nineteenth century, “crazy” quilting was more than a technique, but how makers kept record of what mattered to them. What did it mean to spend hundreds of hours of nimble labor into something you’d sleep under every night? These quilts reveal how ordinary women turned scraps and keepsakes into personal archives—and what their quilts can still tell us about the relationship between memory and material culture today.

Attend in person: This lecture is free to the public at Smith Commons (5th floor), Sargent Hall, Suffolk University, 120 Tremont Street. The location is wheelchair accessible and has accessible restrooms. Seating is in free-standing chairs which may be moved.

Watch online: The Youtube live-stream will have auto-generated closed captions.

a young, Black woman with braided hair, dark red lipstick and tatoos, wearing a sleeveless black top
Tenesha Carter Johnson is a curator and cultural historian, with a particular investment in American quilt and textile histories. Her work explores the relationship between material culture and public history, wherein quilts serve as records of lived experience and historical intervention. She holds a BA in Art History from Spellman College and MA in Decorative Arts, Design History, and Material Culture from Bard Graduate Center. Her research has contributed to leading institutions and digital resources such as the Museum of African American History, Boston & Nantucket; Smithsonian National Museum of African American History & Culture; and, The Fashion & Race Database.

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