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Picket Fence to Picket Line: Visions of American Citizenship

In partnership with:
With support from: Lowell Institute
Date and time
Thursday, October 20, 2016

Since 2014 the Worcester Art Museum has served as an official polling station for the local community. In 2016, the Museum participated in one of the most electrifying political years in recent memory. The exhibit, "Picket Fence to Picket Line"fostered meaningful dialogue surrounding that year's presidential election and the museum's active population of voters. The exhibit's intention was to inspire visitors to confront one of the most highly charged questions in contemporary political discourse: What is citizenship?

As part of the exhibit Masters Series, Valerie J. Mercer, Curator of the General Motors Center for African American Art at the Detroit Institute of Arts, discussed Jacob Lawrence’s painting, "The 1920s....Migrants Arrive and Cast Their Ballots" (pictured).

Mercer-Valerie.jpg
**Valerie J. Mercer** is the first curator of African American art and Head of the General Motors Center for African American Art at The Detroit Institute of Arts. Prior to her move to Detroit, Mercer was an adjunct professor for two years at The City College of New York and visiting lecturer at The Rhode Island School of Design, teaching courses on modern and contemporary art. Mercer developed her curatorial experience working at The Studio Museum in Harlem for seven years, leaving there in 1999 as senior curator. Among the numerous exhibitions she curated at The Studio Museum were the nationally toured Explorations in the City of Light: African-American Artists in Paris, 1945-1965 and The Studio Museum in Harlem: 25 Years of African-American Art; and a solo exhibition on the paintings and works on paper of renowned abstract artist William T. Williams. She wrote essays for the catalogs that accompanied these exhibitions and has written articles for \_The New York Times\_.
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