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Economics of Open Content: Archives, Museums, and Libraries II

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Date and time
Tuesday, January 24, 2006

The archives, museums, and libraries panel continues with Howard Besser, Director of Moving Image Archiving and Preservation and Professor of Cinema Studies at New York University, describing work underway in moving-image and recorded-sound cataloging and preservation, and Ellen Dunlap, president of the American Antiquarian Society, describing the commercial relationships that this library has fostered for the past 50 years and how commerce and open content can work together. Sumir Meghani, Business Development Manager for Yahoo! Search, discusses commercial perspectives generally and Yahoo's stakes in particular in furthering open content by analyzing the new Open Content Alliance that Yahoo! has helped to launch. **Industry Study: The Economics of Open Archives, Museums, and Libraries** Howard Besser, New York University Ellen Dunlap, American Antiquarian Society On January 23-24, 2006, [ Intelligent Television](http://www.intelligenttelevision.com/) hosts the Economics of Open Content symposium at MIT to bring together representatives from media industries, cultural and educational institutions, and legal and business minds to discuss how to make open content happen better and faster. With the support of the Hewlett Foundation and MIT Open Courseware, Intelligent Television brings representatives of commercial media industries (publishing, film, music, television, video, software, education/courseware, gaming) together with representatives of cultural and educational institutions who are innovative in this area and legal and business minds in the academy who are studying how to make this happen faster and better. New Yorker economics columnist and bestselling author (*The Wisdom of Crowds*) James Surowiecki keynotes at the Cambridge meeting, with a presentation entitled 'Openness as an Ethos.' Intelligent Television has been conducting a year-long investigation into the economics of open content. This project is a systematic study of why and how it makes sense for commercial companies and noncommercial institutions active in culture, education, and media to make certain materials widely available for free, and also how free services are finding new (sometimes commercial) ways of becoming sustainable. The project builds upon written work that Intelligent Television recently completed with the support of the Mellon Foundation and Ithaka on [Marketing Culture in the Digital Age](http://www.intelligenttelevision.com/marketingculture.htm), and also upon work now being completed as part of the Mellon Foundation-supported Commission on [Cyberinfrastructure in the Humanities and Social Sciences](http://www.acls.org/cyberinfrastructure/cyber.htm). The project also informs new economic models that Intelligent Television is establishing for its documentary work. This work is licensed under a [Creative Commons License](http://creativecommons.org/licenses/by/2.5/).

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Howard Besser is Professor of Cinema Studies and Director of New York University's Moving Image Archiving & Preservation Program (MIAP), as well as Senior Scientist for Digital Library Initiatives for NYU's Library. In addition to teaching MIAP courses, he teaches a regular Cinema Studies course on New Media, Installation Art, and the Future of Cinema. His current research projects involve preserving digital public televsion, preserving and providing digital access to dance performance, preserving difficult electronic works, issues around copyright and fair use, Do-It-Yourself media, and the changing nature of media with the advent of digital delivery systems. Dr Besser has been on the faculty of UC Berkeley's School of Information Management & Systems, had a long-term affiliation with the Berkeley Multimedia Research Center, and is still on the Advisory Board for the UCB Art Technology, & Culture lecture series. From 1994-96 he was on the faculty of the University of Michigan's School of Information where he headed a committee developing a curriculum in multimedia and digital publishing. He has also been an Assistant Professor at the University of Pittsburgh. Howard is also actively involved with museums and the art community. He was one of the founders and served on the Management Committee of the Museum Educational Site Licensing Project, and directed a Mellon-sponsored study of image distribution from museums to universities. For several years he was in charge of long-range information planning for the Canadian Centre for Architecture in Montreal, and for many years he headed information technology for Berkeley's University Art Museum. His most recent work in this area involves examinining issues of organization, access, and longevity for new media art in collaboration with the Electronic Cafe International and a group of museums with electronic art collections.
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American Antiquarian Society
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