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Chuck Klosterman: But What If We're Wrong?

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Date and time
Thursday, June 9, 2016

We live in a culture of casual certitude. This has always been the case, no matter how often that certainty has failed. Though no generation believes there's nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure - until, of course, they don't. In _But What If We're Wrong?: Thinking About the Present As If It Were the Past_ (2016), **Chuck Klosterman** visualizes the contemporary world as it will appear to those who will perceive it as the distant past. Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music, five hundred years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or, weirder still, widely known, but entirely disrespected)? Is it possible that we "overrate" democracy? And perhaps most disturbing, is it possible that we've reached the end of knowledge? Kinetically slingshotting through a broad spectrum of objective and subjective problems, _But What If We’re Wrong?_ is built on interviews with a variety of creative thinkers, interwoven with high-wire humor and nontraditional analysis. It's a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It's about how we live now, once "now" has become "then." (Photo: [Flickr/92YTribeca](https://www.flickr.com/photos/92ytribeca/5557300874/in/photolist-zsQmz-nVwa9-9AjGs5-Stbsv-GYg77-GYfVs-9AgKja-9AjGA1-9AgKrK-9AjGv5-9t2CdP-nJwqi-9AjGjJ-9t5BV9-9AjGfm-9t5BRb-9t5BWj-9AjGCQ-9AjGyu-9t2C68-9AgKxp-9AjGBo-MR839-9AjGCh-nEc9H-9AgKgv-9AjGEN-9AgKDM-9AjGHb-9AjGFs-9AgKxR-3oQPGK-7LArLk-S9wQi-51C35q-7XXiP-9AjGsq-7wZxrQ-9t2C9t-2nDbWe-BoVhp-KKxmD-pS2YS "Chuck Klosterman cover"), image cropped)

Chuck_Klosterman_headshot.jpg
Chuck Klosterman is the bestselling author of six nonfiction books - most notably \_Sex, Drugs, and Cocoa Puffs\_ (2003) and \_I Wear the Black Hat\_ (2013) - and two novels, \_Downtown Owl\_ (2008) and \_The Visible Man\_ (2011). He has written for \_The New York Times\_, \_The Washington Post\_, \_GQ\_, \_Esquire\_, \_Spin\_, \_The Guardian\_, \_The Believer\_, \_Billboard\_, \_The A.V. Club\_, and ESPN. Klosterman served as "The Ethicist" for \_The New York Times Magazine\_ for three years; appeared as himself in the LCD Soundsystem documentary \_Shut Up and Play the Hits\_ (2012); and co-created \_Grantland\_ with Bill Simmons. He is a native of North Dakota and currently lives in Brooklyn with his wife, \_Entertainment Weekly\_ TV critic Melissa Maerz.
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