To judge from some of the
headlines,
The Turing Test takes its name from a 1950
paper
Turing's claim ignited more than half a century of ardent philosophical noodling about mind and consciousness. But Turing also regarded the test as a practical challenge. By the end of the 20th century, he said, computers will be so good at ordinary conversation that they'll fool people into taking them for humans at least 30 percent of the time. And ever since, people have been building programs called chatterbots designed to do just that, with modest success. In the recent Royal Society competition, a bot called Eugene Goostman managed to convince a third of the judges it was a human on the basis of a five-minute exchange. That narrowly exceeded Turing's more or less arbitrary 30 percent threshold, and the organizers proclaimed it a "historic milestone."
But given the still rudimentary state of AI, a lot of people in the field dismiss these competitions as mere
stunts
But the exercise did drive home a point that
psychologists
That's the goal of the new field called affective computing, which is aimed at getting machines to detect and express emotions. Wouldn't it be nice if the airline's automated agent could rejoice with you when you got an upgrade? Or if it could at least sound that way? Researchers are on the case, synthesizing sadness and pleasure in humanoid
voices
But of course it's one thing to be able to express emotions and another to really feel them. A lot of people maintain that that's something computers simply can't do. As a contemporary of Turing put it, no mechanism could feel grief when its valves fuse or be made miserable by its mistakes. That sounds right to me — how could a machine feel any of those emotions without a human body to touch them off? You can get it to signal sorrow by synthesizing a catch in its voice, but it's not going to be caused by a real sob rising in its chest.
But I'll keep an open mind. Turing saw the achievement of human-like intelligence as lying 50 years out, and AI people say exactly the same thing now. Who knows? They may catch up with the horizon one day and produce a contrivance that's bristling with all the traits we think of as uniquely human — creativity, passion, even gender. That's the being that Spike Jonze envisions in his movie
Her
Theodore: Why do you do that?Samantha: What?Theodore: Nothing, it's just that you go (he inhales and exhales) as you're speaking and ... that just seems odd. You just did it again.Samantha: I did? I'm sorry. I don't know, I guess it's just an affectation. Maybe I picked it up from you.Theodore: Yeah, I mean, it's not like you need any oxygen or anything.Samantha: No — um, I guess I was just trying to communicate because that's how people talk. That's how people communicate.Theodore: Because they're people, they need oxygen. You're not a person.Samantha: What's your problem?
Copyright 2016 Fresh Air. To see more, visit http://www.npr.org/ programs/fresh-air/">Fresh Air.