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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

  • Writers Gail Mazur, Tom Perrotta, and Dennis Lehane read from their current projects and discuss the New England authors who have been important to their work. This lively, entertaining, and thoroughly Bostonian discussion connects the city's literary past to the thriving writing community of today.
    Partner:
    Boston Athenaeum
  • In conjunction with the Fall 2004 exhibition "Seen But Not Heard: Images of Children from the Collection of the Boston Athenaeum", David Dearinger surveys the manner in which children were depicted in 19th and early 20th century American art. Artists such as Winslow Homer, Lily Martin Spencer, George Caleb Bingham, J. G. Brown, Mary Cassatt, and Robert Henri are discussed in this illustrated lecture.
    Partner:
    Boston Athenaeum
  • Ellen Miles discusses Gilbert Stuart's creation in 1796 of his very familiar life portrait of George Washington, together with its companion portrait of Martha Washington, often known as the "Athenaeum portraits" because they were owned by the Boston Athenaeum for more than 150 years. Miles describes the relationship between the Washingtons and the artist, the reason for the incomplete composition of the two portraits, and the immediate and lasting success of the portrait of the President, in contrast to the relative obscurity of the portrait of Martha Washington.
    Partner:
    Boston Athenaeum
  • New Yorker writer Elizabeth Kolbert discusses topics from her new book, Field Notes from a Catastrophe. Americans have been warned since the late 1970s that the buildup of carbon dioxide in our atmosphere threatens to melt the polar ice sheets and irreversibly change our climate. With little done since then to alter this dangerous path, the world has reached a critical threshold. By the end of the twenty-first century, it will likely be hotter than at any point in the last two million years, and the sweeping consequences of this change will determine the course of life on earth for generations to come. Acclaimed journalist Elizabeth Kolbert approaches this monumental problem from every angle. She travels to the Arctic, interviews researchers and environmentalists, explains the science and the studies, draws frightening parallels to lost ancient civilizations, unpacks the politics, and presents the personal tales of those who are being affected most: the people who make their homes near the poles and, in an eerie foreshadowing, are watching their worlds disappear. Growing out of a groundbreaking three-part series for the New Yorker, Field Notes from a Catastrophe brings the environment into the consciousness of the American people and asks what, if anything, can be done to save our planet.
    Partner:
    Boston Athenaeum
  • William Clendaniel, president of Mount Auburn Cemetary, lectures on the history of Mount Auburn in celebration if its 175th anniversary. Clendaniel shares this remarkable institution's history, its ties to the Boston Athenaeum, what it is today, and how it continues to evolve and remain a relevant and important part of Boston's cultural fabric. One of Boston's oldest nonprofit institutions, Mount Auburn Cemetery is a National Historic Landmark and a beloved historic landscape that continues as an active cemetery today. Mount Auburn is also an important cultural resource for the community with a nationally known collection of plants and important collections of architecture, sculpture, paintings, paper and photographic archives, and decorative arts from three centuries.
    Partner:
    Boston Athenaeum
  • Priscilla McMillan discusses the content of her newest book, The Ruin of J. Robert Oppenheimer: And the Birth of the Modern Arms Race. In a groundbreaking book that recasts the history of the Cold War, bestselling author Priscilla McMillan exposes, for the first time, the truth behind J. Robert Oppenheimer's 1954 trial on charges of violating national security. Drawing from newly declassified papers and extensive interviews, McMillan places Oppenheimer's opposition to the development of the hydrogen bomb at the heart of the story. His opposition made him the victim of government officials who, conspiring with rival scientist Edward Teller, deceived President Eisenhower and trapped the enigmatic genius who had done more than anyone to build the atomic bomb. A chilling expose of the McCarthy-era conspiracy that helped propel the East-West arms race, this is a spellbinding work of history. **Priscilla McMillan** is an associate of the Davis Center for Russian and Eurasian Studies at Harvard University. She is the author of the bestseller Marina and Lee. Among other places, her articles have appeared in The New York Times, The Boston Globe, the Los Angeles Times, Harpers Magazine, Scientific American, and The Bulletin of the Atomic Scientist, where she is a member of the editorial board.
    Partner:
    Boston Athenaeum
  • Marc D. Draisen of the Metropolitan Area Planning Council asks what metro Boston will look like in 2030 if we continue to grow at our current rate. The MAPC's MetroFuture project, an initiative to develop a plan for metro Boston's growth and development through 2030, has involved more than 2,000 people, including municipal officials, residents, workers, community groups, and legislators. The MetroFuture team has integrated findings about the region into "Scenario 1: Current Trends Extended to 2030," which presents a likely picture of the region if current conditions persist. This has served as a starting point for discussions across metro Boston about such details as: where and how our population will live and work; how prepared they will be for the jobs of the future; the growing stress on our water resources; impacts on municipal budgets; and the dramatic increase in the elderly population in the region.
    Partner:
    Boston Athenaeum
  • Moderated by Isaiah Jackson, various panelists come together to discuss the politics, identities and cultures that have been emerging from the hip-hop movement. In its varied aspects, hip-hop embraces music, art, and dance. Emerging in the early 1970s from the African American and Latino communities of the Bronx, hip-hop culture has evolved into a creative force drawing an economically and culturally diverse international audience. Defying controversies and negative labels associated with hip-hop, artists and activists are increasingly collaborating to move hip-hop in the direction of greater political engagement and social responsibility. Today, hip-hop has the potential to serve as a positive agent for change at the community and national levels. Cosponsored by the Boston Athenaeum and The Partnership.
    Partner:
    Boston Athenaeum
  • Mameve Medwed discusses her new novel, a witty tale about love, loss, friendship, and self-discovery set in the appealingly absurd world of antiques and the people who buy, sell, and covet them. Thirty-three-year-old Abigail Randolph is having a tough time. Her beloved mother has recently died in an earthquake, the man she loves has left her for another woman, and the antiques business she started with her now ex-boyfriend is not doing so well. A Harvard dropout who has good-naturedly suffered through a lot of disappointments, Abby decides to put her trust in things that can't let her down: old books, chipped china, moth-eaten tablecloths, and the discarded and dented bits of other people's lives. But other people's lives, and not just their stuff, manage to intrude on her own life in surprising ways. Medwed briskly depicts the odd world of flea markets and tag sales, and makes of Abby's arduous liberation (not unlike the invalid Browning's), an adventure to which Jane Austen might have raised a celebratory glass of port.
    Partner:
    Boston Athenaeum
  • Anthony Flint argues that, despite a modest revival in city living, Americans are spreading out more than ever into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. They cling to the notion of safer neighborhoods and better schools, but what they get is long commutes, crushing gas prices and higher taxes, and a landscape of strip malls and office parks badly in need of a makeover. *This Land* tells the untold story of development in America: how the landscape is shaped by a clash of political, economic, and cultural forces. It is the story of a burgeoning anti-sprawl movement, a 1960s-style revolution of New Urbanism, smart growth, and green building. And it is the story of landowners fighting back on the basis of property rights, with free-market libertarians, homebuilders, road pavers, financial institutions, and even the lawn-care industry right alongside them. The subdivisions and extra-wide roadways are encroaching into the wetlands of Florida, ranchlands in Texas, and the desert outside Phoenix and Las Vegas. But with 120 million more people in the country by 2050, will the spread-out pattern cave in on itself? Could Americans embrace a new approach to development if it made sense for them?
    Partner:
    Boston Athenaeum