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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

  • Annie Converse and Camie Ford discuss their collaboration on the photographic essay *Wood, Wind and Water*, and the creative process that took years to complete. They familiarize the audience with the world of classic wooden yacht racing and restoration, which they have chronicled both in the book and in a 26-minute documentary video. The book, set in Nantucket, offers a rich, salty, and often humorous look at a global subculture glued together by a passion for classic wooden yachts. The video documentary follows many of the characters from the book to Antigua, where they race in the Antigua Classic Wooden Yacht Regatta. This race, in 1999, was the first time the J boats Shamrock V, Velsheda, and Endeavor had raced against one another since the 1930's. Much of the footage in the documentary is shot aboard Shamrock V.
    Partner:
    Boston Athenaeum
  • Children's book creators Barbara McClintock, Phyllis Root, and Helen Oxenbury read their stories aloud to a group of children at the Boston Athenaeum. Barbara McClintock reads from her book Dahlia. One morning Charlotte gets a package from her Aunt Edme. Inside is a delicate doll. Charlotte never wanted a doll, and she certainly doesn't want this one. She names the doll Dahlia and tells her that she and Bruno, her bear, "like digging in dirt and climbing trees. No tea parties, no being pushed around in frilly prams. You'll just have to get used to the way we do things." Dahlia doesn't seem to mind. What's more, she seems to like getting dirty while making mud cakes and racing wagons. But at the end of the day, Charlotte's aunt arrives for a visit and wants to see how Dahlia is doing and Charlotte gets another surprise. Phyllis Root and Helen Oxenbury read from their book Big Momma Makes the World. When Big Momma makes the world, she doesn't mess around. Earth, she says, get over here. And it does. With a little baby on her hip and laundry piling up, Big Momma asks for light and dark, sea and sky, creepers and crawlers, and lots of folks to trade stories with on the front porch. And when the work is done, Big Momma is pleased all right. "That's good," she says, "That's real good."
    Partner:
    Boston Athenaeum
  • Shakespeare & Company actress Susannah Melone portrays Annie Kneeland Haggerty Shaw in The Color of War, an original play adapted and directed by Shakespeare & Company artist Mary Guzzy. Shortly after marrying Annie Kneeland Haggerty, a young girl from a wealthy family in New York, Robert Gould Shaw took command of the 54th Massachusetts Regiment, the Union army's first all-black fighting regiment in the Civil War, and was ordered to active duty in the Carolinas. The Color of War is the story of their relationship told through the letters Robert wrote to Annie during their courtship and after they were married. This stage dramatization of Shaw's letters sheds light on the many professional and personal struggles he faced during this intriguing period in history.
    Partner:
    Boston Athenaeum
  • Richard Wendorf attempts to show how scholars who have addressed the paintings of George Stubbs have missed the central point of his work as an artist. The painter George Stubbs is perhaps best known for his dramatic and painstakingly accurate portraits of English horse flesh. In this illustrated lecture, Wendorf draws attention to Stubbs' equally remarkable attempts to paint agricultural workers in the English countryside, particularly in his pair of images entitled Reapers and Haymakers. These iconic pictures have been the focus of intense debate by literary critics, art historians, and social historians during the past thirty years. Do they accurately depict the cleanliness, health, and vitality of common laborers in the 1780's and 1790's, or do they camouflage the desperate, post-enclosure conditions in which these workers toiled?
    Partner:
    Boston Athenaeum
  • Historian Kate Clifford Larson discusses her new book, *Bound for the Promised Land*, which draws on a trove of new documents and sources as well as extensive genealogical research and reveals Harriet Tubman as a complex woman who was brilliant, shrewd, deeply religious, and passionate in her pursuit of freedom. Harriet Tubman is one of the giants of American history, a fearless visionary who led scores of her fellow slaves to freedom on the Underground Railroad and battled courageously behind enemy lines during the Civil War. And yet in the nine decades since her death, next to nothing has been written about this extraordinary woman aside from juvenile biographies. The truth about Harriet Tubman has become lost inside a legend woven of racial and gender stereotypes. From Tubman's brutal treatment while enslaved on the Eastern Shore of Maryland, to her exploits on the Underground Railroad during the Civil War, to her lifelong pursuit of civil and humanitarian rights for African Americans, Tubman's accomplishments represent true American heroism.
    Partner:
    Boston Athenaeum
  • Khassan Baiev discusses his experience as a doctor during the Russian-Chechen war. Little understood and largely ignored by the West, the Russian-Chechen war represents one of the bloodiest conflicts in recent memory, claiming upwards of 150,000 lives in the past 10 years. Dr. Khassan Baiev saw the worst of it as one of the few surgeons to remain behind after fighting began in 1994. *The Oath: A Surgeon Under Fire* is his testament to the horrors of wartime and the first inside account to emerge by a native Chechen.
    Partner:
    Boston Athenaeum
  • Roxana Robinson discusses *Sweetwater*, her story of a woman whose second marriage casts into sharp relief the painful echoes of her first. The book draws together the disparate strands of family complexities, social tensions, and the fragility of the natural world in this moving novel.
    Partner:
    Boston Athenaeum
  • Gay Talese discusses his newest submission to the literary world, The Gay Talese Reader. Attention to detail and observation of the unnoticed are the hallmarks of Gay Talese's writing, and The Gay Talese Reader brings together the best of his essays and classic profiles. Whether he is detailing the unseen and sometimes quirky world of New York City or profiling Frank Sinatra, Talese captures his subjects - famous, infamous, or unusual - in his own inimitable and elegant fashion. These carefully crafted works create a portrait of an unforgettable individual, place, or moment, and give insight into the progression of a writer who is at the pinnacle of his craft.
    Partner:
    Boston Athenaeum
  • Historian Nancy Seasholes gives us the first complete account of when, why, and how Boston's land was created. Fully one-sixth of Boston is built on made land. Although other waterfront cities also have substantial areas that are built on fill, Boston probably has more than any city in North America. Seasholes introduces findings from recent archeological investigations in Boston and relates landmaking to the major historical developments that shaped it. At the beginning of the 19th century, landmaking in Boston was spurred by the rapid growth that resulted from the burgeoning China Trade. The influx of Irish immigrants in the mid-19th century prompted several large projects to create residential land (not for the Irish, but to keep the taxpaying Yankees from fleeing to the suburbs). Many landmaking projects were undertaken to cover tidal flats that had been polluted by raw sewage discharged directly on them, removing the "pestilential exhalations" thought to cause illness. Land also was added for port developments, public parks, and transportation facilities, including the largest landmaking project of all, the airport.
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    Boston Athenaeum
  • Ann Parson, author of the recently published *The Proteus Effect: Stem Cells and Their Promise for Medicine*, shares some basic information about stem cells and what the future holds for medicines based on them. She is joined by four postdoctoral fellows who work in one of Boston's and the country's leading stem cell research laboratories, that of George Daley, a Harvard Medical School and Boston Children's Hospital hematologist and oncologist. Each scientist describes the research project he or she is tackling and how, if successful, their work could lead to significant improvements in current medical practices. With the stem cells of humans finally isolated, researchers are entering a new era of harnessing cells to treat a variety of disorders.
    Partner:
    Boston Athenaeum