Introduction to "The Negro and the American Promise"
Season 16
About the Episode
Psychology professor at the City College of New York, Dr. Kenneth Clark introduces the segment "The Negro and the American Promise" from Boston public television producer Henry Morgenthau III. Featuring interviews with Martin Luther King, Malcolm X, and James Baldwin, the segment made headlines in spring 1963.
Aired:
| Expires: | Runtime: 2m 13s
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Extras
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Audiobooks and the accessibility revolution | The Curb Cut Effect
Audiobooks are big business today—but they began as a vital tool for blind readers.6:38 -
Trailer | Mr. Polaroid
The story of Edwin Land, whose iconic Polaroid camera let everyone instantly chronicle their lives.1:45 -
How one carrot peeler revolutionized design | Extended Audio Description | The Curb Cut Effect
EAD Many household products were originally designed by or for people with disabilities.7:12 -
How one carrot peeler revolutionized design | ASL | The Curb Cut Effect
ASL Many household products were originally designed by or for people with disabilities.6:18 -
How one carrot peeler revolutionized design | The Curb Cut Effect
Many household products were originally designed by or for people with disabilities.6:18 -
How Captions Went from Niche to Necessity | Extended Audio Description | The Curb Cut Effect
EAD The fight for closed captioning was a battle for access and inclusion.8:33 -
How Captions Went from Niche to Necessity | ASL |The Curb Cut Effect
ASL The fight for closed captioning was a battle for access and inclusion.6:48 -
How Captions Went from Niche to Necessity | The Curb Cut Effect
The fight for closed captioning was a battle for access and inclusion.6:48 -
They Took Sledgehammers to Sidewalks – Here’s Why | Extended Audio Description | The Curb Cut Effect
EAD Curb cuts—those small ramps at the edge of sidewalks—were not always a given.8:09 -
They Took Sledgehammers to Sidewalks – Here’s Why | ASL | The Curb Cut Effect
ASL Curb cuts—those small ramps at the edge of sidewalks—were not always a given.7:01
