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Harvard Book Store

Harvard Book Store is an independently run bookstore serving the greater Cambridge area. The bookstore is located in Harvard Square and has been family-owned since 1932. We are known for our extraordinary selection of new, used and remaindered books and for a history of innovation. In 2009, we introduced same-day "green delivery" and a book-making robot capable of printing and binding any of millions of titles in minutes. Find out more about us at www.harvard.com .

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  • **Shirin Ebadi** is the first Muslim woman to win the **Nobel Peace Prize.** She has inspired millions around the globe through her work as a human rights lawyer defending women and children against a brutal regime in Iran. Now Ebadi tells her story of courage and defiance in the face of a government out to destroy her, her family, and her mission: to bring justice to the people and the country she loves. For years the Islamic Republic tried to intimidate Ebadi, but after Mahmoud Ahmadinejad rose to power in 2005, the censorship and persecution intensified. The government wiretapped Ebadi’s phones, bugged her law firm, sent spies to follow her, harassed her colleagues, detained her daughter, and arrested her sister on trumped-up charges. It shut down her lectures, fired up mobs to attack her home, seized her offices, and nailed a death threat to her front door. Despite finding herself living under circumstances reminiscent of a spy novel, nothing could keep Ebadi from speaking out and standing up for human dignity. But it was not until she received a phone call from her distraught husband—and he made a shocking confession that would all but destroy her family—that she realized what the intelligence apparatus was capable of to silence its critics. The Iranian government would end up taking everything from Shirin Ebadi—her marriage, friends, and colleagues, her home, her legal career, even her Nobel Prize—but the one thing it could never steal was her spirit to fight for justice and a better future. Ebadi discusses her book _Until We Are Free: My Fight for Human Rights in Iran_, in with the Kennedy School's Swanee Hunt.
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  • As New York City’s transportation commissioner, **Janette Sadik-Khan** managed the seemingly impossible and transformed the streets of one of the world’s greatest, toughest cities into dynamic spaces safe for pedestrians and bikers. Her approach was dramatic and effective: Simply painting a part of the street to make it into a plaza or bus lane not only made the street safer, but it also lessened congestion and increased foot traffic, which improved the bottom line of businesses. Real-life experience confirmed that if you know how to read the street, you can make it function better by not totally reconstructing it but by reallocating the space that’s already there. Breaking the street into its component parts, _Streetfight: Handbook for an Urban Revolution_ demonstrates, with step-by-step visuals, how to rewrite the underlying "source code" of a street, with pointers on how to add protected bike paths, improve crosswalk space, and provide visual cues to reduce speeding. Achieving such a radical overhaul wasn’t easy, and _Streetfight_ pulls back the curtain on the battles Sadik-Khan won to make her approach work. In the book, which she discusses with Professor **Jerold Kayden**, of the Harvard University Graduate School of Design, Sadik-Khan includes examples of how her way to read the streets has made its way around the world, from pocket parks in Mexico City and Los Angeles to more pedestrian-friendly streets in Auckland and Buenos Aires, and innovative bike-lane designs and plazas in Austin, Indianapolis, and San Francisco. _Streetfight_ deconstructs, reassembles, and reinvents the street, inviting readers to see it in ways they never imagined. (Photo: [Flickr/itdp](https://www.flickr.com/photos/itdp/12463260285/in/photolist-ojw4nk-ohtDXt-bzK6Gq-o1g8g6-jZkt52-jZmkbn-jZo6Th-o1giZF-jZmk5a-jZo6Hh-o1g46J-o1ggUj-ohHnAJ-ohKKND-ohHzRW-ohHzV3-o1ggzG-ofHUiG-ojw3C4-ofJ7Dd-o1g4fm-oht7wT-o1gjcK-ohtk1a-ojvQBF-ohLirZ-ohHnr5-o1gwVR-ojvQBk-ojw3JB-o1gwkT-o1gx2m-ohtjEk-7MK2aV "Janette Sadik-Khan cover"), image cropped)
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  • **Diane Rehm** is best known as the beloved host of WAMU's _The Diane Rehm Show_, but she is also the author of a memoir, _On My Own_. **Robin Young**, co-host of WBUR's _Here & Now_, joins her in a discussion of her book. When Rehm's husband, John, passed away from Parkinson's Disease, she found herself "on her own" after fifty-four years of marriage. She struggled to create a new life within her new reality, learning how to cope with emotional and practical issues by herself while holding on to her memories of him. Rehm's memoir describes her experiences as well as those of some recently widowed friends of hers, exploring a variety of reactions to the death of a spouse. Beyond telling the story of her forging a new life on her own, she discusses the meaning she has found in advocating for the "right to die" movement in honor of her husband's unnecessarily prolonged suffering prior to his death. The book is both practical and inspiring, offering comfort for the recently bereaved and hope about the possibilities that remain to each of us as we deal with our inevitable mortality. (Photo: [Jay/Flickr](https://www.flickr.com/photos/jaypcool/1441098866/in/photolist-3cm1ub-6gM9E3-6gM9CG-6gGXVZ-6gGXXK-ayHx7v "Diane Rehm"))
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  • **Catherine J. Ross**, Professor of Law at the George Washington University Law School and Visiting Scholar at the Harvard School of Education, discusses her book, _Lessons in Censorship: How Schools and Courts Subvert Students' First Amendment Rights_. Together with the Harvard Book Store, Harvard's Hutchins Center for African & African American Research has welcomed Ross to share her book's message. _Lessons in Censorship_ highlights the troubling and growing tendency of schools, especially public schools, to clamp down on off-campus speech such as texting and sexting and reveals how well-intentioned measures to counter verbal bullying and hate speech may impinge on free speech. For several decades the Supreme Court emphasized the role of schools in cultivating liberty. Since the 1970s, however, our judicial system has moved towards censoring certain categories of student speech in the name of order and authority, even if these actions are unconstitutional. In her book, Ross tells the stories of several legal battles over censorship in schools and introduces the young protesters, journalists, and artists who fought for their expressive rights. Understanding the need for a balance between freedom and order, she proposes ways to protect free expression without disrupting education.
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  • Comics scholar and Visiting Professor in the Harvard University English Department **Hillary L. Chute** discusses her 2016 book, _Disaster Drawn: Visual Witness, Comics, and Documentary Form_. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics have come of age as a serious medium for engaging history, _Disaster Drawn_ explores the ways graphic narratives by diverse artists document the disasters of war. In her book, Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman’s first "Maus" story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of "atomic bomb manga," the comic book "Ore Wa Mita" ("I Saw It") - a title that alludes to Francisco Goya’s famous Disasters of War etchings. Chute explains how the form of comics, their collections of frames, lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics call attention to themselves as evidence. _Disaster Drawn_ demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness. (Image: Francisco Goya [Public domain], via [Wikimedia Commons](https://commons.wikimedia.org/wiki/File%3AFrancisco_de_Goya_-_I_saw_it_(Yo_lo_vi)_from_the_series_The_Disasters_of_War_(Los_Desastres_de_la_Guerra)_-_Google_Art_Project.jpg "Goya Disaster Drawn"))
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  • **E. J. Dionne**, Jr., columnist for the Washington Post and commentator for NPR, discusses his 2016 book, _Why the Right Went Wrong: Conservatism - from Goldwater to the Tea Party and Beyond_. The book, which analyzes the American political right from the 1960s onward, argues that the origin of the radicalism of some twenty-first-century conservative groups lies not with the Tea Party, but rather with Barry Goldwater's views during his 1964 presidential campaign. In this event, Dionne explores his theory of how Goldwater's ideology impacted later Republican presidencies and eventually gave rise to the Tea Party. (Photo: [Flickr/sushiesque](https://www.flickr.com/photos/sushiesque/8647458179/in/photolist-eb9u3x-6ftskX-caiG65-6fxDJs-6ftqov-6fxDf3-6fxAsL-6ftt32-6fxEcU-eb9B1a-6fttyc-6ftrqz-6ftqJk-6ftsu6-6fxA3w-6fxDAq-6ftrNZ-6fxBnh-6ftrAe-6ftrfz-6ftrXP-6fxzSL-6fxB2G-6ftr32-6ftqbr-6fts9n-6WZcv7-eb9sBR-ebfcJC-ebf8E3-eb9nzx-eb9s3p-eb9zdg-eb9C8X-ebf8Zw-ebfaZo-eb9t6T-ebf2Ph-eb9wgc-ebf8mN-ebfbQ3-eb9o3c-ebfcif-ebf9LS-ebf3MN-7TJogZ-d2dNfJ-8dv8Em-8dpSFW-eb9rvp "Tea Party"), image cropped)
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  • **Elizabeth Strout** reads from her latest novel, _My Name is Lucy Barton_, joined in conversation by fellow author **Brock Clarke**. _My Name is Lucy Barton_ tells the story of a mother-daughter relationship more complicated than it appears at the surface. While protagonist Lucy Barton recovers from a simple operation, her estranged mother visits her in the hospital. The two women connect over gossip from the town where Lucy grew up, but soon they uncover the tensions that have strained their relationship for much of Lucy's life. Strout writes from Lucy's point of view, crafting an observant, unforgettable, and deeply human voice. (Photo © Leonard-Cendamo.)
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  • Over two million of the nation’s eleven million undocumented immigrants have lived in the United States since childhood. Due to a broken immigration system, they grow up to uncertain futures. In Lives in Limbo, **Roberto G. Gonzales** introduces us to two groups: the college-goers, like Ricardo, who had good grades and a strong network of community support that propelled him to college and DREAM Act organizing but still landed in a factory job a few short years after graduation, and the early-exiters, like Gabriel, who failed to make meaningful connections in high school and started navigating dead-end jobs, immigration checkpoints, and a world narrowly circumscribed by legal limitations. This vivid ethnography explores why highly educated undocumented youth share similar work and life outcomes with their less-educated peers, despite the fact that higher education is touted as the path to integration and success in America. Mining the results of an extraordinary twelve-year study that followed 150 undocumented young adults in Los Angeles, Lives in Limbo exposes the failures of a system that integrates children into K-12 schools but ultimately denies them the rewards of their labor. (Photo: [Edward Kimmel](https://www.flickr.com/photos/mdfriendofhillary/7726784824/in/photostream/ "flickr")/Flickr)
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  • Pop culture and sci-fi guru Ryan Britt has never met a monster, alien, wizard, or superhero that didn’t need further analysis. Essayist Ryan Britt got a sex education from dirty pictures of dinosaurs, made out with Jar-Jar Binks at midnight, and figured out how to kick depression with a Doctor Who Netflix-binge. Alternating between personal anecdote, hilarious insight, and smart analysis, Luke Skywalker Can’t Read contends thatBarbarella is good for you, that monster movies are just romantic comedies with commitment issues, that Dracula and Sherlock Holmes are total hipsters, and, most shockingly, shows how virtually everyone in the Star Wars universe is functionally illiterate. Romp through time and space, from the circus sideshows of 100 years ago to the Comic Cons of today, from darkest corners of the Galaxy to the comfort of your couch. For anyone who pretended their flashlight was a lightsaber, stood in line for a movie at midnight, or dreamed they were abducted by aliens, Luke Skywalker Can't Read is full of answers to questions you haven't thought to ask, and perfect for readers of Chuck Klosterman, Rob Sheffield, and Ernest Cline. Image: [YouTube](https://www.youtube.com/watch?v=spfnIVdDWbQ "Luke Skywalker Can't Read")
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  • **Gloria Steinem** had an itinerant childhood. When she was a young girl, her father would pack the family in the car every fall and drive across country searching for adventure and trying to make a living. The seeds were planted: Gloria realized that growing up didn’t have to mean settling down. And so began a lifetime of travel, of activism and leadership, of listening to people whose voices and ideas would inspire change and revolution. My Life on the Road is the moving, funny, and profound story of Gloria’s growth and also the growth of a revolutionary movement for equality—and the story of how surprising encounters on the road shaped both. From her first experience of social activism among women in India to her work as a journalist in the 1960s; from the whirlwind of political campaigns to the founding of Ms. magazine; from the historic 1977 National Women’s Conference to her travels through Indian Country—a lifetime spent on the road allowed Gloria to listen and connect deeply with people, to understand that context is everything, and to become part of a movement that would change the world. (Photo: wikipedia commons)
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