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Boston Symphony Orchestra

The Boston Symphony Orchestra gave its inaugural concert in 1881, realizing the dream of its founder, the Civil War veteran/businessman/philanthropist Henry Lee Higginson, who envisioned a great and permanent orchestra in his hometown of Boston. Today the BSO reaches millions of listeners, not only through its concert performances in Boston and at Tanglewood, but also via the internet, radio, television, educational programs, recordings, and tours. It commissions works from today's most important composers; its summer season at Tanglewood is among the world's most important music festivals; it helps develop future audiences through BSO Youth Concerts and educational outreach programs involving the entire Boston community; and, during the Tanglewood season, it operates the Tanglewood Music Center, one of the world's most important training grounds for young professional-caliber musicians. The Boston Symphony Chamber Players, made up of BSO principals, are known worldwide, and the Boston Pops Orchestra sets an international standard for performances of lighter music.

http://www.bso.org/

  • Leonard Bernstein's identity as both a composer and conductor was deeply influenced by a combination of his own Jewish heritage and the place of religion in 20th Century society and culture. This panel explores, through the Jeremiah and Kaddish Symphonies and Mass, the impact of those formative religious experiences and the wider existentialist doubt of life in the nuclear age on the man and his music. Audio clips of Leonard Bernstein via _The Bernstein Experience_ on Classical.org. Copyright: Estate of John Gruen. Used by permission. All rights reserved. Special thanks to Julia Gruen. [Hear more on Classical.org](https://bernstein.classical.org/ ""). _Bernstein Week_ panels are supported in part by an award from the National Endowment for the Arts. ###### Special thanks to the following for providing research and content: Boston Symphony Orchestra Archives New York Philharmonic Archives Loeb Music Library, Harvard University Congregation Mishkan Tefila Archives The Bernstein Experience at https://bernstein.classical.org
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    Boston Symphony Orchestra
  • Part of the Boston Symphony Orchestra's fifth annual Insights series, centering on Shakespeare in 2016 to commemorate the 400-year anniversary of the Bard's death, this conversation focuses on **George Tsontakis**'s _Sonnets_, a Shakespeare-inspired Concerto for English horn and orchestra. Tsontakis, Boston Symphony Orchestra conductor **Andris Nelsons**, and English horn soloist **Robert Sheena** discuss _Sonnets_ with Professor **Gordon Teskey** and moderator, Professor **Thomas Kelly**. The talk aims to engage audiences more deeply with _Sonnets_ and the creative processes that gave rise to it just prior to the piece's premiere performance by the Boston Symphony Orchestra on February 11, 2016. (Image: William Shakespeare [Public domain], via [Wikimedia Commons](https://commons.wikimedia.org/wiki/File%3ASonnets1609titlepage.jpg "Sonnets Edited"), image cropped)
    Partner:
    Boston Symphony Orchestra
  • Part of the Boston Symphony Orchestra's fifth annual Insights series, centering on Shakespeare in 2016 to commemorate the 400-year anniversary of the Bard's death, this conversation focuses on **Hans Abrahamsen**'s _let me tell you_. The piece, written for orchestra and soprano with libretto by **Paul Griffiths**, tells the story of Ophelia from _Hamlet_ using the words that Shakespeare's character speaks in the original play. Abrahamsen, Griffiths, and soprano **Barbara Hannigan**, who sings Ophelia's lines in Abrahamsen's composition, discuss _let me tell you_ with Professor **Stephen Greenblatt** and moderator, Professor **Thomas Kelly**. The talk aims to engage audiences more deeply with the piece, its performance, and the creative processes that gave rise to it. (Image: Jules-Elie Delaunay, via [Flickr/Sofi](https://www.flickr.com/photos/sofi01/5858025881/in/photolist-9VDV1e-5vfAim-8Moxsv-a18PR-9RB3PN-6wbuH6-4tKj75-92o2js-92jTP8-92nZR9-cMA425-cMA3GJ-cMA3p1-cMA32u-cMA2H7-cEh9GQ-cEh9uA-cEh9eY-cEh921-6624n1-661xH1-nXKoPZ-7qsxYd-7qsytL-7XVx4g-7M3SHA-661x4Q-bsK2bS-bpVUKE-661vKw-661w39-9SZx3R-4w3TT2-39wc2D-bFEfLB-CQtiL-5fEbXU-EmDJd-4S4sTW-39YRBg-oR5YXz-oyAE4s-4Kwdy3-7F6cM4-gcxSjA-4rEvhM-zjhVe-W7hYt-7qsyVw-dNchZB "Ophelie"), image cropped)
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    Boston Symphony Orchestra
  • Thomas Forrest Kelly welcomes conductor Stéphane Denève and the Boston Ballet's Mikko Nissinen to explore Diaghilev’s Ballets Russes as a crucible of modern music. Kelly finds the connections between the program which conductor Stéphane Denève has in place for his guest appearance with the Boston Symphony Orchestra the same week, and the Russian Ballet created at toured by Sergei Diaghilev. Kelly details the creative collaboration between Diaghilev and Nijinsky, the dancers, and Satravinsky the composer. Kelly tells the audience an amazing number of ballets were created by Diaghilev and, when put together with the music, stage design and exotic choreography, it ignited a new passion in 19th century audiences eager for more of the exotic and modern.
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    Boston Symphony Orchestra