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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

Colm Toibin on Mothers and Sons

Thu, Mar 20, 2008

Colm Toibin reads from his new collection of short stories, *Mothers and Sons*. Professor James Smith of Boston College introduces the author. **Colm Toibin** was born in Ireland in 1955. He is the author of five novels, including the Booker shortlisted *The Blackwater Lightship* and *The Master*, winner of the Los Angeles Times Book Prize and the International IMPAC Dublin Literary Award. He has been a Stein Visiting Writer at Stanford University and a visiting writer at the Michener Center at the University of Texas at Austin. He lives in Dublin.

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Mameve Medwed: Of Men and Their Mothers

Tue, Jun 10, 2008

Mameve Medwed reads from her latest novel Of Men and Their Mothers, an exploration of class difference, notions of men and women, and being a wife, a friend, and a nonjudgmental mother. When Maisie Grey finally gets rid of her mama's-boy husband and happily settles down with her teenage son, Tommy, she's still stuck with an irascible mother-in-law. Maisie vows that when Tommy brings someone home, she will be empathetic and supportive, and envelop the young woman in a loving embrace. But along comes September Silva, with her piercings, short skirts, black nail polish, and stay-out-all-night attitude. Eventually Maisie is forced to take a clear-eyed look at class differences, preconceived notions of men and women, and what it means to be a wife, a friend, and a nonjudgmental mother. When do you let go? And how do you let go if you're sure your son is making a very big mistake?

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Lafayette in America in 1824 and 1825

Thu, May 14, 2009

Translator Alan Hoffman discusses Auguste Levasseur's book *Lafayette in America*, which recounts how the 67-year-old hero of the American Revolution and apostle of liberty in Europe was welcomed in an adoring frenzy by the American people. With its panoramic view of the young country, its burgeoning cities and towns, its technological innovations like the Erie Canal, and its industrious people, this book captures America on the cusp of its jubilee year. A decade before Tocqueville, Auguste Levasseur, private secretary to the Marquis de Lafayette, observed and reported on the state of the American Republic as he accompanied General Lafayette on his Farewell Tour of all 24 United States. Levasseur's journal describes the Americans' enormous pride in the republican institutions created by the revolutionary generation and the ensuing growth and prosperity. He recounts their intense feelings of gratitude towards those who had won the republic, among whom Lafayette was the sole surviving major general of the Continental Army. Levasseur also chronicles Lafayette's affectionate visits with his old friends John Adams, Thomas Jefferson, James Madison, James Monroe, and John Quincy Adams, and his encounter with Senator Andrew Jackson. A keen observer, Levasseur gives us a sense of the characters of these men who, with Lafayette's paternal friend George Washington, led the United States through its first six decades.

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Lewis Lapham: Theatre of War

Thu, Feb 27, 2003

Lewis Lapham discusses his collection of essays, Theater of War. Taking the war on terror as the most recent example, Lapham considers America's long tradition of gratuitous conflict, and its quixotic attempts at arbitrating 'good' and 'freedom,' culminating in the endowment of nation status upon the hijackers that began the present war. Lapham shows that the recent behavior of the United States' government is consistent with the practices of past administrations. Mr. Lapham questions the motives and feasibility of our country's ongoing crusades against the world's evildoers.

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Ann Patchett: Run

Tue, Sep 25, 2007

Ann Patchett reads from her fifth novel *Run*, which explores what "family" means and how we forge our allegiances while still asserting our identities. Set within a 24-hour period, the novel, like much of Patchett's work, examines what happens when disparate lives intersect, as well as the obligations we bear to strangers. *Run* is both the story of one loving family's insular bonds and an examination of community, for which we are all accountable.

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54th Regiment and the Color of War

Tue, Sep 30, 2003

Shakespeare & Company actress Susannah Melone portrays Annie Kneeland Haggerty Shaw in The Color of War, an original play adapted and directed by Shakespeare & Company artist Mary Guzzy. Shortly after marrying Annie Kneeland Haggerty, a young girl from a wealthy family in New York, Robert Gould Shaw took command of the 54th Massachusetts Regiment, the Union army's first all-black fighting regiment in the Civil War, and was ordered to active duty in the Carolinas. The Color of War is the story of their relationship told through the letters Robert wrote to Annie during their courtship and after they were married. This stage dramatization of Shaw's letters sheds light on the many professional and personal struggles he faced during this intriguing period in history.

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Gay Talese: His Portraits and Encounters

Thu, Nov 20, 2003

Gay Talese discusses his newest submission to the literary world, The Gay Talese Reader. Attention to detail and observation of the unnoticed are the hallmarks of Gay Talese's writing, and The Gay Talese Reader brings together the best of his essays and classic profiles. Whether he is detailing the unseen and sometimes quirky world of New York City or profiling Frank Sinatra, Talese captures his subjects - famous, infamous, or unusual - in his own inimitable and elegant fashion. These carefully crafted works create a portrait of an unforgettable individual, place, or moment, and give insight into the progression of a writer who is at the pinnacle of his craft.

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Picture Books: A Reading for Children

Sat, Oct 04, 2003

Children's book creators Barbara McClintock, Phyllis Root, and Helen Oxenbury read their stories aloud to a group of children at the Boston Athenaeum. Barbara McClintock reads from her book Dahlia. One morning Charlotte gets a package from her Aunt Edme. Inside is a delicate doll. Charlotte never wanted a doll, and she certainly doesn't want this one. She names the doll Dahlia and tells her that she and Bruno, her bear, "like digging in dirt and climbing trees. No tea parties, no being pushed around in frilly prams. You'll just have to get used to the way we do things." Dahlia doesn't seem to mind. What's more, she seems to like getting dirty while making mud cakes and racing wagons. But at the end of the day, Charlotte's aunt arrives for a visit and wants to see how Dahlia is doing and Charlotte gets another surprise. Phyllis Root and Helen Oxenbury read from their book Big Momma Makes the World. When Big Momma makes the world, she doesn't mess around. Earth, she says, get over here. And it does. With a little baby on her hip and laundry piling up, Big Momma asks for light and dark, sea and sky, creepers and crawlers, and lots of folks to trade stories with on the front porch. And when the work is done, Big Momma is pleased all right. "That's good," she says, "That's real good."

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Making a Case for Comic Fiction

Tue, Feb 03, 2004

Mameve Medwed, Tom Perrotta, and Stephen McCauley explain and defend comic fiction.

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Race and Place

Tue, Mar 02, 2004

Ted Landsmark discusses how demographic and educational changes affect Boston's near-term future, and the unanticipated ways in which our cultural identities are evolving. The formation of racial and ethnic identities were key aspects of 20th century American culture. As traditional racial dichotomies dissolve in the 21st century, some new, and some very old, elements of cultural identity are taking precedence in American life: artisanry, class, education, and a sense of place are emerging as significant shapers of identity. Even as media and commercial homogeneity aggregate and level our differences, immigration and rediscovered cultural roots are churning our perceptions of who we believe we are as Americans. Boston, a city generally viewed as both a portal for new populations and as a staid community where relatively few ethnic or racial minorities achieve high levels of political or cultural visibility, is undergoing some of the largest demographic and educational changes in its history.

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