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Linda Hirsch on Cuba: Threads of Hope and Renewal

Date and time
Thursday, February 11, 2010

Photographer Linda Hirsch speaks to arts curator Evan J. Garza about her experiences documenting communities of Cuban Jews, and discusses works that were on view in her exhibition, "CUBA: Threads of Hope & Renewal", a 9-year survey of the artist's project. Taken over several trips to Cienfuegos, Havana, and the countryside of Cuba, these poignant photographs document unique communities of Cuban Jews and scenic cultural affectations, revealing a heartrending and oft-ignored perspective of Latin American culture. Documenting several community members and youth over several years--from Bar mitzvah celebrations to traditional Santeria rituals--Hirsch captures rich, genuine moments of familial intimacy, growth, and joy through the unique lens of a country experiencing an historic and profound transition. Exhibited here with remarkable clarity, Hirsch's work transcends traditional perceptions of both Latinos and Jews, creating broad new considerations of commonly accepted cultural understandings. Hirsch's story is one of two cultures, united by a common spiritual thread. Hirsch sites Herschel Garfein's composition "Places to Live" (commissioned by Boston Classical Orchestra in 2000, Steve Lipsett, Conductor)--and specifically the movement entitled "Havana"--as the catalyst to her Cuban connections and the projects which have continued to evolve since 2001. She says that the piece captures the diverse rhythms and moods of "cubanidad" in a classical, timeless and effective manner.

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A long-time resident of Wayland, Massachusetts, Linda Hirsch is a photographer, curator and psychologist. She has also been a practicing photojournalist since the late 1970s, when she studied with Georgia Litwack at the DeCordova Museum and Sculpture Park in Lincoln, MA, and later Ulrike Welsch and Stephen Benton at Harvard University. She has curated a number of exhibitions, including "Cuba: Hay Luz y Sombra" at Panopticon Gallery, Waltham, "Montuno: Cuban Call & Response" at The Center for the Arts in Natick (TCAN), and "Artists for Survival" at Framingham State College. Her work can be found in the public collections of the Anne Frank House, Netherlands, and the archives of His Highness the Dalai Lama and the Buckminster Fuller Institute, Stanford University. Hirsch continues to return to Cuba regularly. Image courtesy of Gary B. Hirsch.
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A native of Houston, TX (b. 1982), Evan J. Garza is editor-at-large for *New American Paintings* and Curator at Villa Victoria Center for the Arts in Boston's South End. He recently began contributing to Flash Art and is a contributing writer and critic for *ART PAPERS, Art Lies*, and was the weekly "Museums + Galleries" columnist for *The Boston Phoenix* from 2008 -- 2009. He has organized several exhibitions nationally, and in January 2010 he was the inaugural curator for a new annual series of guest-curated exhibitions at the Mills Gallery at Boston Center for the Arts (BCA). He was recently selected as a finalist for the inaugural Art Writing Workshop, a collaboration between the International Association of Art Critics/USA Section (AICA/USA) and Creative Capital/Warhol Foundation Arts Writers Grant Program. In January 2010, Garza joined New Art Dealers Alliance (NADA) as an individual member.
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