|
|
Notes on the "Evening at Pops" selections
by Steven Ledbetter
Excerpts from A Midsummers Night's Dream | "Galop" from Moscow, Cheremushky | Theme from Laura | Selections from Forever Tango | España, Rhapsody | Bolero | Overture to Russlan and Ludmilla | Violin Concerto, Opus 48 | "Danse Antique" from Faust | "Cirus Polka" | "Intermezzo" from Cavalleria rusticana | Concerto for Clarinet
"Circus Polka"
Igor Stravinsky (1882-1971)
Surely the most unusual commission that choreographer George Balanchine ever
received was to direct a dance for the elephants of the Barnum and Bailey
Circus in 1942. Balanchine was told that he could have any music he chose for
this act. He evidently called Stravinsky on the telephone and asked him to
compose music for a dance. "What kind of music?" asked the composer. "A polka."
"For whom?" "Elephants." "How old?" "Young." "If they are very young, I'll do
it." And so Stravinsky's delightful jeu d'esprit came to be written for its
most unlikely audience. The Circus Polka maintains a strict 2/4 meter
throughout (something that is otherwise rare in Stravinsky, but perhaps he
thought the elephants would have trouble counting!), and he quotes a familiar
phrase from Schubert's Marche Militaire as a contrasting theme. The premiere
took place in Madison Square Garden in the spring of 1942 and highlighted
Modoc, the "prima ballerina" of the pachyderms. The act was given some 425
times!
|