The Bach Hour
Truth in Bach
Pianist and blogger Jeremy Denk performs the Partita No. 3, and Konrad Junghänel conducts the Missa Brevis in G minor.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Tackling the Enigmatic Fourth Cello Suite
Dutch cellist Pieter Wispelwey talks about and performs the Cello Suite No. 4, and Il Gardelino performs the Cantata No. 32 (translation).
On-demand at Classical New England
On-demand at Classical New England
Sunday Concert
Discovery Ensemble in Concert
Join us for concert performances by one of New England's most exciting orchestras, as conductor Courtney Lewis leads Discovery Ensemble.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Ramin Bahrami and the Power of Bach
The Iranian-born pianist performs a concerto with the Leipzig Gewandhaus Orchestra, and Bach Collegium Japan performs the Cantata No. 69a, Lobe den Herrn, meine, Seele (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
A Prayer to Angels
John Eliot Gardiner conducts Bach's Cantata No. 19 (translation), a piece written for the Feast of St. Michael and All Angels.
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
Downton Abbey Wins Emmy for Original Score
Hear from the composer of the winner of the 2012 Emmy Award for Original Score for a Series.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
The Brilliance of Cantata 51
Soprano Malin Hartelius and trumpeter Niklas Eklund perform Bach's Jauchzet Gott (translation) in concert at Unser Lieben Frauen Church in Bremen, Germany.
On-demand at Classical New England
On-demand at Classical New England
Drive Time Live
Music for Food
Kim Kashkashian and colleagues perform Dvorak in our studio, previewing the next Music for Food concert.
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
Encountering Wagner
By Brian McCreath
Richard Wagner, one of history's most complex figures, becomes a little more understandable at his Swiss villa. But only a little.
Richard Wagner, one of history's most complex figures, becomes a little more understandable at his Swiss villa. But only a little.
The Bach Hour
Collegium Vocale in Concert from Lausanne
Philippe Herreweghe leads the group he founded in the Cantata No. 78 (translation), in concert at the Lausanne Bach Festival in Switzerland.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Bach in the Berkshires
John Oliver leads the Tanglewood Festival Chorus in the motet Singet dem Herrn ein neues Lied (translation) in a celebration of Bach's music at Tanglewood.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
A Concerto for Bach's Friday Nights
Thomas Hengelbrock leads a concerto for three violins, and Masaaki Suzuki conducts the Cantata No. 178 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Avi Avital's Bach
The mandolin virtuoso brings a unique perspective to Bach's music, and John Eliot Gardiner conducts two motets.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
A Picture of Heaven
Countertenor Andreas Scholl sings Bach's depiction of heaven in the Cantata No. 170 (translation).
On-demand at Classical New England
On-demand at Classical New England
CLASSICAL NEW ENGLAND
A Chorale Packed with Potential
Bach builds an astonishing expression of doubt and hope on a simple chorale in the Cantata No. 93 (translation), and Annie Akiko Meyers is the soloist in the Violin Concerto No. 1.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Ton Koopman and Bach's Journey
The Dutch conductor leads Amsterdam Baroque in Bach's Cantata No. 177, Ich ruf zu dir, Herr Jesu Christ (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
John Eliot Gardiner Conducts J.S. Bach's La mer
The symbolism of water infuses Bach's Cantata No. 7 (translation), conducted by John Eliot Gardiner, and harpist Catrin Finch plays the Italian Concerto.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
A New Beginning for Bach, with Emmanuel Music
Craig Smith conducts the Cantata No. 75 (translation), the first work Bach wrote for his adopted hometown.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
The Ascension Oratorio
Matthew Halls leads the Retrospect Ensemble in Bach's Ascension Oratorio (translation), and Peter Sykes and Mahan Esfahani perform a harpsichord concerto.
On-demand at Classical New England
On-demand at Classical New England
WGBH LEARNINGTOURS
A Classical New England Tour to Switzerland
Join host Brian McCreath in Switzerland for concerts at the Lucerne Festival and the Menuhin Festival in Gstaad, with performances by the Berlin Philharmonic, the London Symphony, Maurizio Pollini, and more.
The Bach Hour
Trevor Pinnock in Boston
Trevor Pinnock leads the Boston Early Music Festival Orchestra in concert, and Ton Koopman conducts the Cantata No. 86 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Brazilian Flair in a French Suite
The Brasil Guitar Duo performs in concert at the Rockport Chamber Music Festival, and John Eliot Gardiner conducts the Cantata No. 166 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
The Play of Opposites: Suzuki's Cantata No. 103
Masaaki Suzuki conducts Bach's Cantata No. 103 (translation), and the English Baroque Soloists perform the Triple Concerto.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Alina Ibragimova's Partita No. 2
The British-based violinist traverses one of Bach's most emotionally powerful works, and John Eliot Gardiner conducts the Cantata No. 85 (translation).
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
Patriots and Heroes
Boston Camerata Artistic Director Anne Azéma explores early American music in a preview of the ensemble's Patriots Day concert.
The Bach Hour
David Fray's French Suite
The French pianist performs a piece with a personal connection for Bach, and Christophe Coin directs the Cantata No. 6 (translation).
CNE Journal
The Dual Lives of Esa-Pekka Salonen
By Brian McCreath
Music by the Finnish conductor and composer is performed this week by both the Boston Symphony Orchestra and Discovery Ensemble.
Music by the Finnish conductor and composer is performed this week by both the Boston Symphony Orchestra and Discovery Ensemble.
The Bach Hour
A Burst of Colors in the Easter Oratorio
Matthew Halls leads the Retrospect Ensemble in Bach's vibrant, riveting Easter Oratorio (translation).
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
The Passion, Ancient and Modern
By Brian McCreath
The Handel and Haydn Society and Boston Modern Orchestra Project explore the story of the Passion through both the greatest of composers and the music of our time.
The Handel and Haydn Society and Boston Modern Orchestra Project explore the story of the Passion through both the greatest of composers and the music of our time.
The Bach Hour
Harry Christophers on the St. Matthew Passion
The Artistic Director of Boston's Handel and Haydn Society talks with host Brian McCreath about the pinnacle of Bach's sacred music (translation).
The Bach Hour
Lara St. John and Marie-Pierre Langlamet
The violinist and harpist bring new colors to Bach's Violin Sonata No. 1, and John Eliot Gardiner conducts the Cantata No. 150 (translation)
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Simone Dinnerstein's "Something Almost Being Said"
The pianist talks about her new recording with host Brian McCreath, and Vocalconsort Berlin performs Jesu, meine Freude (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Albrecht Mayer Creates a New Bach Concerto
The Principal Oboist of the Berlin Philharmonic finds solo music in a Bach cantata, and Philippe Herreweghe directs the Cantata No. 127 (translation).
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
2011-2012 Classical Mid-Season Report
By Brian McCreath
Boston Globe classical music critic Jeremy Eichler talks about significant stories of the classical music season so far.
Boston Globe classical music critic Jeremy Eichler talks about significant stories of the classical music season so far.
The Bach Hour
A Modern Transcription for an Ancient Instrument
Recorder soloist Erik Bosgraaf performs a concerto by Bach, and John Eliot Gardiner conducts the Cantata No. 144 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Andreas Scholl Sings Ich habe genug
The German countertenor talks with host Brian McCreath about music, life, and Bach, and sings Ich habe genug (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Salonen Conducts Schoenberg's Vision
Esa-Pekka Salonen and the L.A. Philharmonic paint a vibrant Bach Prelude and Fugue, and Masaaki Suzuki conducts the Cantata No. 73 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Perahia Plays Bach
Murray Perahia is soloist and director for the Keyboard Concerto No. 3, and Ton Koopman directs the Cantata No. 155 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
An Epiphany Cantata At St. Nicholas, Leipzig
John Eliot Gardiner conducts the Cantata No. 123 (translation) at a church with a remarkable history.
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
Charting Their Own Paths: Top 5 Orchestral Albums Produced In-house
By Brian McCreath
In-house labels have energized the recording projects of several major orchestras. Here are five of the best.
In-house labels have energized the recording projects of several major orchestras. Here are five of the best.
CNE Journal
Messiah In Our Time
By Brian McCreath
How did a two-and-a-half century-old piece of music written for Lent become an iconic Christmas tradition of our time?
How did a two-and-a-half century-old piece of music written for Lent become an iconic Christmas tradition of our time?
The Bach Hour
Bach's Tapestry of Sound
J.S. Bach's Cantata No. 109 uses the interlacing of sound to create a picture of belief in a performance conducted by John Eliot Gardiner.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
One Work, Two Worlds: The Cantata No. 169 and Harpsichord Concerto in E
Bernarda Fink sings the Cantata No. 169 (translation), and Christophe Rousset performs the cantata's sister concerto for harpsichord.
CNE Journal
Opera Boston's Béatrice et Bénédict
By Brian McCreath
A modern twist enlivens this weekend's production of Berlioz's comedic love story.
A modern twist enlivens this weekend's production of Berlioz's comedic love story.
CNE Journal
2011-2012 Classical Season Preview with Jeremy Eichler
The Boston Globe classical music critic talks with Classical New England's Brian McCreath about upcoming highlights of the 2011-2012 season.
The Bach Hour
Harnoncourt and the Ebulliant Cantata 29
Nikolaus Harnoncourt leads Concentus Musicus in Bach's celebratory Cantata No. 29 (translation), in concert at the Musikverein.
On-demand at Classical New England
On-demand at Classical New England
CNE Journal
What Does A Conductor Do?
Classical New England host Brian McCreath talks with Emily Rooney about the ways a conductor can bring music to life.
Classical Music with Brian McCreath
Harry Christophers on Handel and Haydn's New Season
The Artistic Director of Boston's Handel and Haydn Society talks with Brian McCreath about this weekend's season opening concerts with Kristian Bezuidenhout and more.
The Bach Hour
Ryan Turner On Cantata No. 12
The Artistic Director of Emmanuel Music joins Brian McCreath for one of Bach's most gripping works, the Cantata No. 12 (translation), and a preview of the upcoming season.
The Bach Hour
Pain and Transcendence in Morimur
Violinist Christoph Poppen and the Hilliard Ensemble combine for a performance that's both searing and consoling.
The Bach Hour
The Mystery And Intimacy Of The Lute
Rolf Lislevand performs a suite for lute, and Masaaki Suzuki conducts the fearsome Cantata No. 46 (translation).
The Bach Hour
Grace And Bouyancy From A Solo Cello
Jean-Guihen Queyras performs the Cello Suite No. 6, and John Eliot Gardiner conducts the Cantata No. 135 (translation).
The Bach Hour
Bach In Boston
The Boston Early Festival Orchestra takes the stage with the Orchestral Suite No. 3, and Boston's Emmanuel Music performs the Cantata No. 2 (translation).
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
CSI: Bach
Violinist Midori Seiler performs her reconstruction of a lost concerto, and Craig Smith directs the Cantata No. 39 (translation).
99.5 Host Notes
In Performance
Here is more information about artists and presenters featured on this week's programs.
The Bach Hour
Riccardo Chailly's New Way
The conductor of the Leipzig Gewandhaus Orchestra leads the Brandenburg Concerto No. 6, and John Eliot Gardiner conducts the Cantata No. 129 (translation).
Live from Fraser
Trio Settecento
Music by Bach, Veracini, and Muffat highlight and exploration of the transformative power of the violin, live from the Fraser Performance Studio.
The Bach Hour
One Chorale, Three Masterpieces
A single chorale connects the organ prelude "Komm, Heiliger Geist," the Violin Sonata No. 3, and the Cantata No. 172 (translation).
New England Summer Festivals
The Marlboro Festival
Alan McLellan takes you to the venerable Marlboro Chamber Music Festival for performances from the 2011 season.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
Luminous Bach From Ensemble Sonnerie
Monica Huggett leads the Orchestral Suite No. 1, and Collegium Vocale performs the Cantata No. 43 (translation).
The Bach Hour
David Fray's Poetic Interpretation
The French pianist performs Bach's Partita No. 4, and Masaaki Suzuki conducts the Cantata No. 108 (translation).
The Bach Hour
Two Masterpieces From Altenburg, Germany
By Brian McCreath
This week's program takes you to the Schloßkirche in Altenburg to hear an instrument Bach himself performed on when it was built.
This week's program takes you to the Schloßkirche in Altenburg to hear an instrument Bach himself performed on when it was built.
The Bach Hour
The Bach Experience
Mary Greer previews the Handel and Haydn Society's upcoming program with selections from the Cantatas Nos. 37, 92, and 97.
Café Europa
The Berlin Philharmonic
By Brian McCreath
Hear performances by one of the world's great orchestras, from concerts at their dynamic home concert hall.
On-demand at Classical New England
Hear performances by one of the world's great orchestras, from concerts at their dynamic home concert hall.
On-demand at Classical New England
The Bach Hour
Philippe Herreweghe Conducts Cantata No. 42
The Belgian conductor leads a post-Easter cantata with a dual personality.
The Bach Hour
The Joy and Transcendence of Easter
Ton Koopman and Amsterdam Baroque perform the Cantata No. 31 (translation), written for Easter. The program also features pianist Angela Hewitt in a concerto and Yuko Hayashi at the organ at Boston's Old West Church.
99.5 Host Notes
In Performance, week of Apr. 18
By Brian McCreath
Here is more information about the performers and presenters featured this week.
Here is more information about the performers and presenters featured this week.
The Bach Hour
A Cantata for Palm Sunday
John Eliot Gardiner conducts the joyful Cantata No. 182 (translation), written for Palm Sunday, and Pieter Wispelwey performs the Cello Suite No. 5.
On-demand at Classical New England
On-demand at Classical New England
The Bach Hour
The Chaconne Through The Orchestral Prism
Seiji Ozawa and the Boston Symphony Orchestra give a blazingly intense account of Bach's music, and Konrad Junghänel conducts the Missa Brevis in G.
The Bach Hour
Jeremy Denk's Bach
The pianist gives a ravishing performance of the Partita No. 3, and Konrad Junghänel conducts the Missa Brevis in G minor.
The Bach Hour
Gidon Kremer's Solo Bach
The Latvian violinist performs Bach's Sonata No. 1, and Konrad Junghänel conducts the Missa Brevis in A.
99.5 Host Notes
Boston Symphony and Andris Nelsons: The Reviews
By Brian McCreath
Read what the critics had to say about the young Latvian conductor's performance with the BSO at Carnegie Hall on Thursday.
Read what the critics had to say about the young Latvian conductor's performance with the BSO at Carnegie Hall on Thursday.
The Bach Hour
Richard Egarr and The Well-Tempered Clavier
The Music Director of the Academy of Ancient Music takes you inside Bach's masterful works for harpsichord.
On-demand at Classical New England
On-demand at Classical New England
99.5 Host Notes
The Concert Hall Re-set Button
By Brian McCreath
When everything familiar bursts into the remarkable.
When everything familiar bursts into the remarkable.
The Composer Files
Celebrating Bartók
In honor of the 130th anniversary of the composer's birth, join 99.5 All Classical for a series of local and historic performances and exclusive on demand music.
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