Recent Episodes
Fri. 5/25/12
Week In Review
Fri. 5/25/12
Week In Review
The Emily Rooney Show
Public affairs professional Terence Burke, social critic and attorney Wendy Kaminer, and regular contributor to the Boston Globe Tom Keane weigh in on the week that was.
Thurs. 5/24/12
Is The Isabella Stewart Gardner Museum Heist Close To Being Solved?
Thurs. 5/24/12
Is The Isabella Stewart Gardner Museum Heist Close To Being Solved?
The Emily Rooney Show
We check in on recent developments in the Isabella Stewart Gardner heist with Tom Mashberg, who has been following the case for 22 years.
Thurs. 5/24/12
Local Scientist Redefines Brain Power
Thurs. 5/24/12
Local Scientist Redefines Brain Power
The Emily Rooney Show
We talk with the local scientist at the center of the development of the powerful new technology that allows paralyzed people to move objects – with their thoughts.
Thurs. 5/24/12
Show & Tell — Chloe Caldwell’s Legs Get Led Astray
Thurs. 5/24/12
Show & Tell — Chloe Caldwell’s Legs Get Led Astray
The Emily Rooney Show
Our resident provocateur talks about trends in young women's confessional literature, epitomized by Chloe Caldwell's frankly sexual writing.
Wed. 5/23/12
Pets, Etiquette And The Law
Wed. 5/23/12
Pets, Etiquette And The Law
The Emily Rooney Show
Kara Holmquist, MSPCA director of advocacy, and animal behaviorist Terri Bright take your questions about the line between rude and illegal when it comes to pet etiquette.
Wed. 5/23/12
The 30 Songs That Cost Joel Tenenbaum $675,000
Wed. 5/23/12
The 30 Songs That Cost Joel Tenenbaum $675,000
The Emily Rooney Show
Joel Tenenbaum, former BU Student who was sued by the RIAA, joins us to discuss the case.
Related Content
One-On-One With The MFA's Malcolm Rogers
In 1994, a relatively unknown Malcolm Austin Rogers was introduced as the new director of the Museum of Fine Arts. At the time, the MFA was strapped for cash and criticized for being insular and elitist. Malcolm told the Boston media that his first order of business was to “bring the museum out to meet its public.” Done that he most certainly has. This year, the MFA opened it’s airey new Art of the Americas Wing and is financially stable. Malcolm’s tenure hasn’t been without complaint, but few can dispute that over the past 16 years, he has restored a sense of relevance and vitality to the institution. He joins us.












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