Richard Egarr on The Well-Tempered Clavier, and the Missa Brevis in F

 

Recent Episodes

Supported by:

Genius Out of Intolerance: the Cantata No. 126

Genius Out of Intolerance: the Cantata No. 126

The Bach Hour | Classical New England

On the program:

Arioso, from Keyboard Concerto No. 5 in F minor, BWV 1056 (arr. Alfred Cortot) - Stephen Hough, piano

Cantata BWV 126 Erhalt uns, Herr, bei deinem Wort - Robin Tyson, alto;  James Gilchrist, tenor;  Stephan Loges, bass;  Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Brandenburg Concerto No. 1 in F, BWV 1046 - Les Concert des Nations, Jordi Savall, director

Toccata and Fugue in D minor, BWV 565 (arr. Alfred Cortot) - Stephen Hough, piano

A Concerto with Murray Perahia, and the Cantata No. 155

A Concerto with Murray Perahia, and the Cantata No. 155

The Bach Hour | Classical New England


Tackling the Enigmatic Fourth Cello Suite

Tackling the Enigmatic Fourth Cello Suite

The Bach Hour | Classical New England

Dutch cellist Pieter Wispelwey talks about and performs the Cello Suite No. 4.

On the program:

Cantata BWV 32 Liebster Jesu, mein Verlangen - Caroline Weynants, soprano;  Patrick van Goethem, countertenor;  Il Gardelino, Marcel Ponseele, director

Suite No. 4 in E-flat for solo cello, BWV 1010 - Pieter Wispelwey, cello

The Christmas Oratorio, Part 6, in Concert

The Christmas Oratorio, Part 6, in Concert

The Bach Hour | Classical New England

On the program:

Brandenburg Concerto No. 8 (after BWV 74, 99, and 65; arr. Bruce Haynes) - Montreal Baroque Band, Eric Milnes, conductor

Preludes and Fugues from Book I of The Well-Tempered Clavier:  No. 1 in C major, BWV 846;  No. 2 in C minor, BWV 847;  No. 7 in E-flat major, BWV 852;  No.21 in B-flat major, BWV 866 - Andras Schiff, piano

Christmas Oratorio, BWV 248, Part VI - Christine Schäfer, soprano;  Bernarda Fink, alto;  Werner Güra, tenor (Evangelist);  Christian Gerhaher, bass;  Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor

The Christmas Oratorio, Part 5, in Concert

The Christmas Oratorio, Part 5, in Concert

The Bach Hour | Classical New England

On the program:

Prelude and Fugue in G, BWV 541 - Hans Fagius, organ (Nils-Olof Berg organ of the Mission Church Uppsala, Sweden)

Christmas Oratorio, BWV 248, Part V - Christine Schäfer, soprano;  Bernarda Fink, alto;  Werner Güra, tenor (Evangelist);  Christian Gerhaher, bass;  Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor

Orchestral Suite No. 3, BWV 1068 - Ensemble Sonnerie, Monica Huggett, director

Vom Himmel hoch, da komm ich her BWV 606 (trans. Max Reger) - Markus Becker, piano

(photo from the Musikverein courtesy of the Musikverein, Vienna)

The Christmas Oratorio, Part 4, in Concert

The Christmas Oratorio, Part 4, in Concert

The Bach Hour | Classical New England

On the program:

Aria Variata 'alla Maniera Italiana' BWV 989 - Angela Hewitt, piano

Christmas Oratorio, BWV 248, Part IV - Christine Schäfer, soprano;  Bernarda Fink, alto;  Werner Güra, tenor (Evangelist);  Gerald Finley, bass;  Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor

Concerto in D minor, BWV 1059 - Erik Bosgraaf, recorder;  Ensemble Cordevento

(photo from the Musikverein courtesy of the Musikverein, Vienna)


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Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.

On the program:

Prelude and Fugue in C (BWV 846) from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord

Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel

Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord

Prelude and Fugue in D (BWV 874), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord

Fugue in B-flat (BWV 866) from Book I of The Well-Tempered Clavier (conclusion) - Richard Egarr, harpsichord

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