Recent Episodes
Genius Out of Intolerance: the Cantata No. 126
Genius Out of Intolerance: the Cantata No. 126
The Bach Hour | Classical New England
On the program:
Arioso, from Keyboard Concerto No. 5 in F minor, BWV 1056 (arr. Alfred Cortot) - Stephen Hough, piano
Cantata BWV 126 Erhalt uns, Herr, bei deinem Wort - Robin Tyson, alto; James Gilchrist, tenor; Stephan Loges, bass; Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor
Brandenburg Concerto No. 1 in F, BWV 1046 - Les Concert des Nations, Jordi Savall, director
Toccata and Fugue in D minor, BWV 565 (arr. Alfred Cortot) - Stephen Hough, piano
A Concerto with Murray Perahia, and the Cantata No. 155
A Concerto with Murray Perahia, and the Cantata No. 155
The Bach Hour | Classical New England
Tackling the Enigmatic Fourth Cello Suite
Tackling the Enigmatic Fourth Cello Suite
The Bach Hour | Classical New England
Dutch cellist Pieter Wispelwey talks about and performs the Cello Suite No. 4.
On the program:
Cantata BWV 32 Liebster Jesu, mein Verlangen - Caroline Weynants, soprano; Patrick van Goethem, countertenor; Il Gardelino, Marcel Ponseele, director
Suite No. 4 in E-flat for solo cello, BWV 1010 - Pieter Wispelwey, cello
The Christmas Oratorio, Part 6, in Concert
The Christmas Oratorio, Part 6, in Concert
The Bach Hour | Classical New England
On the program:
Brandenburg Concerto No. 8 (after BWV 74, 99, and 65; arr. Bruce Haynes) - Montreal Baroque Band, Eric Milnes, conductor
Preludes and Fugues from Book I of The Well-Tempered Clavier: No. 1 in C major, BWV 846; No. 2 in C minor, BWV 847; No. 7 in E-flat major, BWV 852; No.21 in B-flat major, BWV 866 - Andras Schiff, piano
Christmas Oratorio, BWV 248, Part VI - Christine Schäfer, soprano; Bernarda Fink, alto; Werner Güra, tenor (Evangelist); Christian Gerhaher, bass; Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor
The Christmas Oratorio, Part 5, in Concert
The Christmas Oratorio, Part 5, in Concert
The Bach Hour | Classical New England
On the program:
Prelude and Fugue in G, BWV 541 - Hans Fagius, organ (Nils-Olof Berg organ of the Mission Church Uppsala, Sweden)
Christmas Oratorio, BWV 248, Part V - Christine Schäfer, soprano; Bernarda Fink, alto; Werner Güra, tenor (Evangelist); Christian Gerhaher, bass; Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor
Orchestral Suite No. 3, BWV 1068 - Ensemble Sonnerie, Monica Huggett, director
Vom Himmel hoch, da komm ich her BWV 606 (trans. Max Reger) - Markus Becker, piano
(photo from the Musikverein courtesy of the Musikverein, Vienna)
The Christmas Oratorio, Part 4, in Concert
The Christmas Oratorio, Part 4, in Concert
The Bach Hour | Classical New England
On the program:
Aria Variata 'alla Maniera Italiana' BWV 989 - Angela Hewitt, piano
Christmas Oratorio, BWV 248, Part IV - Christine Schäfer, soprano; Bernarda Fink, alto; Werner Güra, tenor (Evangelist); Gerald Finley, bass; Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor
Concerto in D minor, BWV 1059 - Erik Bosgraaf, recorder; Ensemble Cordevento
(photo from the Musikverein courtesy of the Musikverein, Vienna)
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Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.
On the program:
Prelude and Fugue in C (BWV 846) from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord
Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel
Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord
Prelude and Fugue in D (BWV 874), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord
Fugue in B-flat (BWV 866) from Book I of The Well-Tempered Clavier (conclusion) - Richard Egarr, harpsichord
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