Bach and Family Ties

Recent Episodes

The Cantata No. 182 for Palm Sunday

The Cantata No. 182 for Palm Sunday

The Bach Hour | WCRB

On the program:

Suite No. 5 in C minor for solo cello, BWV 1011 - Pieter Wispelwey, cello

Cantata BWV 182 Himmelskönig, sei willkommen - Malin Hartelius, soprano; Nathalie Stutzmann, alto; James Gilchrist, tenor; Peter Harvey, bass; Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner, conductor

(The image at left [courtesy Wikimedia Commons] shows column detail from the Nikolaikirche, Leipzig, which is modelled on palms.  The theme of palms is prevalent in the architecture of the Nikolaikirche, which, with the Thomaskirche, is one of the churches served by Bach between 1723 and 1750.  The Nikolaikirche also played a pivotal role in the fall of the Communist regime of East Germany in the 1980's.)

Harry Christophers on the St. Matthew Passion, Part Two

Harry Christophers on the St. Matthew Passion, Part Two

The Bach Hour | WCRB

Harry Christophers on the St. Matthew Passion, Part One

Harry Christophers on the St. Matthew Passion, Part One

The Bach Hour | WCRB

Richard Egarr on the Orchestral Suites

Richard Egarr on the Orchestral Suites

The Bach Hour | WCRB

Balint Karosi and the Clavierübung III

Balint Karosi and the Clavierübung III

The Bach Hour | WCRB

Harry Christophers on Bach's Motets

Harry Christophers on Bach's Motets

The Bach Hour | WCRB


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On the program:

French Suite No. 5 in G, BWV 816 - Till Fellner, piano

Cantata BWV 26 Ach wie flüchtig, ach wie nichtig (translation) - Yukari Nonoshita, soprano; Robin Blaze, alto; Makoto Sakurada, tenor; Peter Kooy, bass; Bach Collegium Japan, Masaaki Suzuki, conductor

Chorale Prelude on Ach wie nichtig, ach wie flüchtig, BWV 644 - Simon Preston, organ (Metzler Organ at Trinity College, Cambridge)

Sonata for harpsichord and violin in C minor, BWV 1017 - Janine Jansen, violin; Jan Jansen, harpsichord

(photo of Janine Jansen by Harald Hoffmann, courtesy of Decca)

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