Richard Egarr on The Well-Tempered Clavier, and the Missa Brevis in F

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The Bach Hour | WCRB

On the program:

Sonata No. 1 in G minor for solo violin, BWV 1001 - Christian Tetzlaff, violin

Cantata BWV 69a Lobe den Herrn, meine Seele (translation) - Yoshie Hida, soprano;  Kirsten Sollek-Avella, alto;  Makoto Sakurada, tenor;  Peter Kooij, bass;  Bach Collegium Japan, Masaaki Suzuki, conductor

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Cantatas No. 116, and British Transcriptions for Piano

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On the program:

Two-Part Inventions: No. 4 in D minor, No. 5 in E-flat, and No. 6 in E, BWV 775-777 - Till Fellner, piano

Missa Brevis in G, BWV 236 - Cantus Cölln, Konrad Junghänel

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Aisslinn Nosky's Partita No. 3, and the Missa Brevis in A

The Bach Hour | WCRB


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Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.

On the program:

Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel

Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord

Preludes and Fugues in F-sharp minor (BWV 883) and A major (BWV 889), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord

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