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Recent Episodes
Mark Volpe on the Selection of Andris Nelsons at the BSO
Mark Volpe on the Selection of Andris Nelsons at the BSO
CNE Journal
Bernard Haitink on Brahms and Schubert
Bernard Haitink on Brahms and Schubert
CNE Journal
Boston Symphony Orchestra Conductor Emeritus Bernard Haitink talks with CNE's Brian McCreath about Schubert's "Great" C major Symphony and Brahms's Violin Concerto.
(photo of Bernard Haitink by Todd Rosenberg)
Violinist Nikolaj Znaider on Conducting and Brahms
Violinist Nikolaj Znaider on Conducting and Brahms
CNE Journal
Violinist Nikolaj Znaider talks with CNE's Brian McCreath about his conducting career, playing Brahms with Bernard Haitink, and being a new parent.
(photo of Nikolaj Znaider by Matthias Creutziger)
Conductor Bernard Haitink on Schubert, Mahler, and the Concertgebouw
Conductor Bernard Haitink on Schubert, Mahler, and the Concertgebouw
CNE Journal
Boston Symphony Orchestra Conductor Emeritus Bernard Haitink talks with CNE's Brian McCreath about Schubert's Symphony No. 5 and Mahler's Symphony No. 4, as well as his memories of growing up in Amsterdam with the Concertgebouw Orchestra.
(photo of Bernard Haitink by Todd Rosenberg)
Stravinsky's The Rite of Spring at the New England Conservatory
Stravinsky's The Rite of Spring at the New England Conservatory
CNE Journal
The BSO's Tony Fogg on 2013-2014
The BSO's Tony Fogg on 2013-2014
CNE Journal
Boston Symphony Orchestra Artistic Administrator Tony Fogg talks with CNE's Brian McCreath about the 2013-2014 BSO season.
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The first in a series of features exploring Eternal Echoes - Songs and Dances for the Soul, from EMI Classics, with violinist Itzhak Perlman, Cantor Yitzchak Meir Helfgot, and the New England Conservatory's Hankus Netsky.
A dudele is a very personal kind of prayer. The dramatic first note is a call to God: "Master of the Universe! I will sing a song to you: You, You, You, You You!" You will hear the repeated word "du." We'll hear not only the track on the album, but clips of older recordings that inspired it (including a very notable one by Jan Peerce.) The end of the track breaks into a joyous dance, Berditchever Sher.
(photo of violinist Itzhak Perlman and Cantor Yitzchak Meir Helfgot by Lisa-Marie Mazzucco, courtesy of EMI)
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