Up a Tree
By Robert Finch
I went down to the bog this morning to see what might be there. The
weather was beautiful, after several days of dark heavy rain, which had
raised the bog's water level several inches. It was in the mid-60s,
with only a slight breeze, but it was enough to make everything around
me - newly-budded leaves, birds, tree limbs - seem almost
weightless, as objects rest lightly on the bottom of the ocean. I became
aware of a physical connectedness between things through the common
medium of the air.
When I reached the edge, I could see a dozen or so amphibian egg masses
near the shore: the smaller, clear globes of the wood frogs and the
larger, cloudier masses of the yellow-spotted salamanders. The light
breezes sent the water shimmering and skittering to the far side, while
water skaters and whirligigs hopped and slid across the surface,
Some large swamp maples loomed out over the water. On an impulse, I
climbed up the slanting trunk of one of them and crawled out onto one of
the more substantial limbs that overhung the bog. Looking down, I saw
the bog in a way I never had before, a bird's-eye view, looking
straight down into its muddy mind, its murky workings. The
light-colored, translucent globes and strings of egg masses looked like
daytime stars emerging against the reflected sky. The largest clump of
eggs, nearly two feet across, was directly beneath me and attached to a
half-sunken limb. Others were attached to twigs near the surface, or
stuck to rocks deeply embedded in the muck.
Then, among the egg masses, I glimpsed the black, shiny, plated shell of
a turtle. It was a painted turtle, a large one, nearly six inches long,
lying just at the surface. Its hind half was submerged in the dark
water. The white scute lines and red rim around the shell showed
plainly. It was drifting freely, and as the light wind blew some
floating surface leaves around it, the turtle kept its place by
alternately stroking its front left foot and right rear one. The breeze
also gently moved the limb I lay on, stretched out along its rough
length. Slowly, almost imperceptibly, it lifted and lowered me with
great restrained force and rhythm. It was a kind of flying.
I stayed like this, motionless, for an unconscious period of time. I
found myself strangely serene and unruffled, unaware of time or place.
I seemed to have adapted myself to the turtle's tempo, gently lifted
and lowered there in the soft May breezes above the dark bog. I looked
down again, and this time I saw on its surface not the turtles or egg
masses, but a pattern of tree shadows stretching out across the entire
bog - a meshed, depthless maze of branch and limb. And there, in the
center of the pattern, was my own foreshortened silhouette - hulking,
looming like some huge gall-like growth out of the tree moving only as
the tree shadows themselves moved, slowly, smoothly, resolved in the
wind.
For once, then, momentarily suspended ten feet above the bog, I seemed
to be literally part of its intersecting patterns. Turtles, waterbugs,
and unseen tadpoles swam through my image. I harbored within my own
outline the clouded and seed-sprinkled globes of egg masses. And then,
from out of my floating shadow, as though out of a cocoon, the lovely
form of a mourning cloak butterfly emerged into daylight.