New Music

The Stave Sessions: Listen Outside the Lines

Tuesday, March 10, 2015
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On March 15, the Celebrity Series of Boston launches the Stave Sessions, a one-week series of concerts that highlights artists with an eclectic, omnivorous approach to artistic inspiration. Celebrity Series President and CEO Gary Dunning talks with WCRB's Brian McCreath about what distinguishes the Stave Sessions from other concert experiences.



The Stave Sessions take place at 160 Massachusetts Ave., an innovative space at the Berklee College of Music that cultivates a unique concert experience. Not quite a club, and definitely not a concert hall, 160 Mass Ave features floor to ceiling windows that, according to the Celebrity Series, "offer concertgoers an urban backdrop with views of the city, and an upscale cabaret vibe."

Complete lineup of the Stave Sessions:

Sun., March 15 - Banda Magda
Opening: Chorobop

Tue., March 17 - Gabriel Kahane
Opening: Kate Davis

Wed., March 18 - Roomful of Teeth

Thur., March 19 - Ben Sollee and Becca Stevens

Fri., March 20 - Brookly Rider

Sat., March 21 - Third Coast Percussion

For more information and to purchase tickets, visit the Celebrity Series of Boston.

The Passion, Ancient and Modern

By Brian McCreath   |   Thursday, March 29, 2012
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The Handel and Haydn Society and Boston Modern Orchestra Project explore the story of the Passion through both the greatest of composers and the music of our time.

The Passion, or the story of the capture and execution of Jesus, is the heart of belief for Christians. For non-Christians, the Passion can be a powerful story of great emotional weight, especially when told through great works of art and music.

Handel and Haydn Society Artistic Director Harry Chrisophers (photo by Stu Rosner)

New England audiences have an opportunity to hear three of those musical interpretations in concerts given by Boston's Handel and Haydn Society and by the Boston Modern Orchestra Project. H&H gave the first complete performance of J.S. Bach's St. Matthew Passion in 1879, and as part of the crescendo towards the ensemble's 200th anniversary, Artistic Director Harry Christophers leads H&H in this pinnacle of Bach's sacred works on March 30 and April 1. Classical New England broadcasts the April 1 performance live from Symphony Hall.

BMOP Founder and Artistic Director Gil Rose (photo by Liz Linder)

On April 6, Boston Modern Orchestra Project performs a concert entitled "Dual Passions" with Artistic Director Gil Rose, conductor Andrew Clark, and the Harvard-Radcliffe Collegium Musicum. The concert begins with the 2008 Pulitzer Prize winning composition, the little match girl passion, by David Lang, with the second half devoted to Arvo Pärt's Passio Domini Nostri Jesu Christi Secundum Joannem, a setting of the Passion according to St. John written in 1982.

I talked with both Harry Christophers and Gil Rose about the Passion and the particular ways these three composers bring this transformative story to musical life:

Here is an extended interview about David Lang's the little match girl passion and Arvo Pärt's Passio Domini with conductor Gil Rose:

For more with Harry Christophers and Bach's St. Matthew Passion, hear a two-part series of The Bach Hour:

The St. Matthew Passion on The Bach Hour, Part One

The St. Matthew Passion on The Bach Hour, Part Two

More about these concerts can be found by visiting the Handel and Haydn Society and Boston Modern Orchestra Project.

A Harbison World Premiere at the BSO

Thursday, January 12, 2012
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A World Premiere From Boston Musica Viva

By Brian McCreath   |   Thursday, November 17, 2011
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On Friday, Nov. 18, Boston Musica Viva will premiere a new work by composer Bernard Hoffer.  Concerto di Camera II was written specifically for BMV's cellist, Jan Müller-Szeraws.  Hoffer is widely known as the composer of theme music for PBS NewsHour and the cartoon series "Thundercats." 

His truly kaleidoscopic range, however, is demonstrated in this new piece for cello soloist and chamber ensemble.  He chose to write for an ensemble that includes a flute, clarinet, violin, piano, and percussion.  That may at first sound spare, but the combinations of colors and textures Hoffer generates from those forces is remarkable.

You can hear some of those colors in the second movement, a scherzo built around pizzicato figures in the cello and unusual and compelling sounds from the prepared piano:

For more about the piece, hear a conversation with Hoffer, Müller-Szeraws, and BMV Music Director Richard Pittman:

For more information about the concert, visit Boston Musica Viva.

About the Author
Brian McCreath Brian McCreath


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